Jerry Afriyie wasted no time in announcing his return to CD Lugo after leading a sensational comeback in the 2-2 draw against Gimnàstic, scoring and providing an assist.
The Black Satellites forward left camp in Egypt after two games at the Africa U20 Cup of Nations to rejoin Lugo, following an agreement between the club and the Ghana Football Association.
His return proved crucial and decisive, as he delivered a Man of the Match performance to help CD Lugo come from two goals down to earn a draw at the Nou Estadi Costa Daurada.
The 18-year-old was handed a starting role despite arriving barely 48 hours before the match.
Gimnàstic, playing at home, started the game better and opened the scoring in the 28th minute through Antoñín.
Things went from bad to worse for Lugo just before halftime when Joan Oriol doubled the advantage for the hosts.
However, Afriyie inspired his teammates to a comeback, setting up Lizancos with 23 minutes left on the clock.
The Ghana international then turned scorer, snatching a late equalizer in injury time for the visitors.
The U20 star has now scored three goals and provided two assists in eight league games for Lugo.
In a surprising turn of events, renowned Ghanaian broadcaster Captain Smart has clarified that he has not resigned from his position at Onua TV, contrary to widespread speculation. Instead, he has taken a temporary break, leaving many of his followers puzzled about his next move.
The controversy surrounding Captain Smart’s absence intensified when celebrated media personality Nana Ama McBrown was seen laughing at the situation, fueling rumors about his departure. However, Captain Smart has now set the record straight, assuring Ghanaians that he will return to his post at Onua TV in no time.
Captain Smart’s absence from Onua TV sparked heated discussions among media enthusiasts and political commentators. Many assumed that he had resigned, given his history of bold and sometimes controversial statements. However, the outspoken journalist has debunked these claims, stating that his break is merely a temporary pause rather than an exit from the media industry.
Nana Ama McBrown, a celebrated actress and television host, has been at the center of discussions regarding Captain Smart’s break. Her laughter, perceived by some as mockery, has led to speculation about tensions between the two media personalities. While McBrown has not publicly commented on the matter, her reaction has fueled debates about the dynamics within Onua TV.
In an interview at his workplace, Captain Smart made it clear that despite his absence, he is still being monitored closely. He stated that even though he is not present at work, they still mark him, hinting at the ongoing scrutiny surrounding him. Addressing Nana Ama McBrown directly, he declared that she should get ready for him. His words suggest that he is gearing up for an eventful return, promising to make waves in the media once again.
Despite the swirling rumors, Captain Smart has assured his loyal audience that he will resume his duties soon, promising to continue his fearless approach to journalism. His return is expected to reignite discussions on pressing national issues, as he remains one of Ghana’s most vocal media figures.
As the drama unfolds, Ghanaians eagerly await Captain Smart’s comeback, hoping for more hard-hitting analysis and bold commentary on political and social matters. Watch the video below: https://www.facebook.com/share/v/1BGrnyzUpw/?mibextid=wwXIfr
List of Ghanaian MPs Who Never Spoke in Parliament
News Hub Creator54min
Parliament is supposed to be the main platform where lawmakers speak up on behalf of the people who elected them. It’s where they’re expected to push for change, question government policies, and make sure national leadership stays on track. But in Ghana, evidence suggests that not all MPs are living up to that role. In fact, some never even speak during their time in office.
Back in 2017, a group called Odekro that tracks Parliament’s work revealed a surprising fact: 19 MPs who served from 2013 to 2017 never spoke once during their term. These silent MPs weren’t just new to the job—some were veterans. The list featured names like Sarah Adwoa Safo (Dome-Kwabenya), Kennedy Agyapong (Assin Central), Queenstar Pokua Sawyerr (Agona East), and Mary Salifu Boforo (Savelugu).
More recently, in 2022, MP Naser Toure Mahama from Ayawaso East openly admitted that he hadn’t spoken in Parliament since 2012. He explained that his energy was focused on behind-the-scenes committee work and helping people in his constituency. While that may sound reasonable to some, it also sparked public concern. People began asking whether MPs who remain silent are really doing their jobs.
This issue matters because it challenges our ideas about what we expect from our leaders. If MPs don’t speak up in Parliament, are they truly representing their communities? Or are they just holding titles without fulfilling the responsibility that comes with them?
Captain Smart has once again ignited a storm of debate in Ghana’s media landscape following his controversial departure from Onua TV. But this time, it’s not about his journalistic stance or political commentary—it’s about money, power, and the truth behind his alleged business empire.
After leaving Onua TV, Captain Smart boldly declared that he does not depend on journalism for his livelihood. He claimed ownership of multiple businesses, including a company known as GBS, which he says boasts over 14 branches. His statement immediately sent shockwaves through social media, splitting public opinion. While some hailed him as a true entrepreneur who had built a successful empire outside of the media world, others were quick to question the legitimacy of his claims.
For many of his supporters, Captain Smart’s assertion is a testament to his resilience. They see him as a fearless personality who refuses to be boxed into one industry, proving that media personalities can thrive beyond television and radio. They argue that his success should serve as an inspiration to young Ghanaians looking to create multiple streams of income and gain financial independence.
However, skeptics are not convinced. Critics argue that his claims may be exaggerated—just another chapter in his well-known ability to stir controversy. Some believe he is using the narrative of a thriving business empire to deflect questions about his exit from Onua TV. Others suggest that his resignation was a calculated move, possibly signaling his interest in political ambitions.
Captain Smart is no stranger to controversy, and his latest remarks raise intriguing discussions about how public figures present themselves beyond their primary careers. Does branding oneself as a successful entrepreneur enhance credibility, or does it expose one to scrutiny?
Media personalities making the leap into business and politics often face significant challenges in proving their claims. Without transparency, figures like Captain Smart can spark skepticism among audiences who demand proof beyond words. His latest statements may either strengthen his influence or put him under deeper public scrutiny.
As conversations around his claims continue to dominate social media, one question remains: is Captain Smart truly the businessman he says he is, or is this another strategic branding move?
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Dr Emmanuel Akwetey, Executive Director of the Institute for Democratic Governance
Executive Director of the Institute for Democratic Governance (IDEG), Dr Emmanuel Akwettey, has called for a full-scale, independent investigation into explosive allegations made by the former Director-General of the National Signals Bureau (NSB), Kwabena Adu-Boahene, regarding the disbursement of GH₵49 million.
“These are not mere rumours,” Dr Akwettey stated during an appearance on Newsfile on JoyNews, addressing the serious claims outlined in a memo from Adu-Boahene, which alleged that substantial sums of money were diverted for political and presidential purposes.
“When GH₵8.3 million is said to have been channelled to one political party, and GH₵5.1 million to presidential aides, we cannot simply shrug this off,” he emphasized.
Akwettey urged the Attorney-General and relevant security agencies to thoroughly investigate the matter. “Every cedi that has been mentioned must be accounted for,” he stressed.
He warned that inaction would come at a high cost to public trust. “If we allow these accusations to linger without verification, we risk undermining confidence in our national security apparatus and the rule of law.”
Dr Akwetey further called for the probe to be conducted carefully and free from political interference. “Let us ensure that this process is neither politicised nor rushed. The Ghanaian people deserve clarity and accountability—only then can we move forward with confidence.”
A joint team of military personnel and officers from the National Security Secretariat, allegedly acting under the directives of the CEO of COCOBOD, Mr. Randy Abbey, have reportedly seized a private construction site at Tse Addo, a suburb of Accra, sparking outrage and fear among residents.
The operation took place at midnight on Friday. It was alleged that the operation was under the National Security watch. Eyewitnesses say the armed security personnel stormed the site with heavy equipment and waste materials, which they used to fill a dugout foundation and obstruct further construction.
According to reports, this is the eighth time Mr. Abbey—who shares a fence wall with the site—has allegedly used state security operatives to halt development works on the project. The reasons for his persistent opposition remain unclear.
Several eyewitnesses expressed anger and disappointment over the use of state security forces to intimidate private developers, describing the action as a blatant abuse of power and a threat to civil liberties.
“This is not the first time Mr. Abbey has used the National Security to harass us,” said a concerned resident. “We are building legally and peacefully, yet he continues to scare us with brute tactics.”
Residents have warned that the continued use of intimidation tactics by Mr. Abbey, an influential figure affiliated with the National Democratic Congress (NDC), could negatively impact the party’s support in the area during upcoming elections.
Efforts to contact Mr. Randy Abbey for a response have so far been unsuccessful.
Ghana and Egypt have been regular combatants at the TotalEnergies CAF Under-20 Africa Cup of Nations, marking their seventh meeting at the finals with a quarter-final at the Suez Stadium on Monday (kick-off 18:00 local time / 15:00 GMT).
Both nations have won three of their previous six encounters, with one victory each coming via penalties.
In 1991, Egypt, as hosts, defeated Ghana 1-0 in the semi-finals and went on to win their second title. Ghana responded two years later, overcoming Egypt 3-1 in the semi-finals before claiming their first championship.
The teams met again in the 1997 group stage, where Ghana secured a 1-0 win and advanced alongside Morocco, while Egypt was eliminated.
In the 2001 semi-finals, Ghana triumphed on penalties after a 1-1 draw, eventually finishing as runners-up. Egypt earned a 2-1 group stage win over Ghana in 2013, with both sides progressing.
They met again in the final, which ended 1-1, with Egypt winning the penalty shootout 5-4 to lift the title.
On three occasions – 1991, 1993, and 2013 – the winner of this fixture went on to win the tournament. Only once, in 1997, have they met before the final and neither side reached it. In all other pre-final meetings, at least one of the two progressed to the final.
GHANA FACTS · Ghana topped Group C after a 1-1 draw with the Democratic Republic of Congo, followed by consecutive 1-0 wins over Senegal and the Central African Republic. This is their third quarterfinal appearance, following 1989 and 2021.
· In direct knockout matches at the finals since 1991, Ghana has played 10 games, winning seven and drawing three (including shootout outcomes). This is the 10th time Ghana has advanced beyond the group stage in a tournament with a group format.
· In their previous two quarterfinal appearances, both games were decided on penalties. In 1989, they beat Algeria 3-0 in the first leg but lost the second leg by the same scoreline, eventually losing the shootout 5-4.
· In 2021, a 1-1 draw against Cameroon was followed by a 4-2 penalty shootout win. A win in this quarterfinal would mark Ghana’s 10th semi-final appearance.
· They have reached the last four in three of their last four tournament appearances – in 2013, 2015, and 2021 – failing only in 2019.
· Ghana has been involved in six penalty shootouts at the finals, winning three and losing three. Their wins came against Egypt in the 2001 semi-finals (1-1, 6-5 on penalties), Mali in the 2013 semi-finals (0-0, 4-2), and Cameroon in the 2021 quarterfinals (1-1, 4-2).
· Losses include the 1989 quarterfinal (5-4 to Algeria), 1997 semi-final (5-4 to South Africa), and the 2013 final against Egypt (5-4).
· Against host nations, Ghana has only lost once – 1-0 to Egypt in the 1991 semi-finals. Since then, they’ve won four straight group games against hosts: Mauritius (1993), Morocco (1997), Rwanda (2009), and Algeria (2013), with the first two games ending 1-0 and the latter two 2-0.
· Ghana scored just three goals in their three group games – their lowest return since 2003, when they also netted three times and were eliminated. This is the fewest goals they’ve scored in a group stage while still progressing to the knockout rounds. Their three goals at the current edition have come from three different players.
EGYPT FACTS · Egypt, seeking their second semi-final appearance as hosts after their 1991 title, began with a 1-0 win over South Africa, followed by a 4-1 loss to Sierra Leone, a 0-0 draw with Zambia, and a 1-0 victory over Tanzania. They finished third in Group A to reach the quarterfinals.
· This is Egypt’s fifth quarterfinal appearance. In previous two-legged quarterfinals, they progressed only once, beating Zimbabwe 3-1 on aggregate in 1981. In 1983, they beat Guinea at home but lost 1-0 away and were eliminated on penalties (8-7). In 1987, they lost 5-2 on aggregate to Nigeria, and in 1989, a 2-0 first-leg loss to Mali followed by a 3-1 home win saw them eliminated on away goals.
· Victory here would take Egypt to an eighth semi-final, with prior appearances in 1981, 1991, 2001, 2003, 2005, 2011, and 2013. This is the first time since 2013 they have advanced beyond the group stage, having exited in 2017 and 2023.
· Egypt’s last knockout game at the finals was a 2-0 semi-final win over Nigeria in 2013. Since 1991, they’ve played six direct knockout games – all semi-finals – winning four and losing two, both on penalties. They’ve never lost a direct knockout match in open play in that span.
· Egypt’s four penalty shootouts since 1991 have resulted in two wins and two losses. They lost to Ghana in 2001 (1-1, 6-5) and beat Benin in 2005 (1-1, 3-1) and Cameroon in 2011 (0-0, 4-2). Their last shootout win came in the 2013 final against Ghana (1-1, 5-4).
· In their 1-0 win over Tanzania, Egypt held just 38.8% possession – their second-lowest of the tournament after their 38.4% possession in the win over South Africa.
· They are the only quarter-finalists to advance with a negative goal difference and have the lowest shot conversion rate among all quarterfinalists at just 7.14%.
Acting Chief Executive Officer of the Ghana Gold Board and National Communications Officer of the National Democratic Congress (NDC), Sammy Gyamfi, has made headlines after gifting an undisclosed amount of U.S. dollars to fetish priestess-turned-pastor Patricia Asiedua, popularly known as Nana Agradaa.
In a video shared on social media platform X (formerly known as Twitter), Gyamfi is seen standing beside his white Range Rover, taking a photo with Nana Agradaa, who has her arm around him. The two are engaged in a brief conversation.
Agradaa is then heard making a comment to Gyamfi, prompting him to open the back door of the vehicle and sit down to count several notes of U.S. dollar bills. As he does so, Agradaa insists that he hand over all the notes instead of selecting a few. She proceeds to grab all the money from his hands and, walking away, flaunts the dollar bills to bystanders, declaring, “I have taken dollars from Sammy Gyamfi.”
Moments later, Gyamfi’s white Range Rover is seen speeding off.
This incident comes amid resurfaced allegations from 2024 media reports that Gyamfi allegedly spent thousands of dollars in party funds on a lavish trip to Miami, USA, with his wife.
However, the outspoken politician has vehemently denied these claims.
In an interview on Adom TV’s Badwam programme on Monday, July 1, 2024, Gyamfi addressed the video that some have pointed to as evidence. He clarified that the footage was old and taken during a past visit to Miami with his wife, shortly after their wedding.
He denied knowledge of the hotel he was accused of staying in—reportedly costing $3,000 per night—and rejected claims that he received $42,000 from the party for the trip. He also dismissed rumors that he had recently spent two weeks in Miami.
“On Saturday, I was at Holy Spirit Cathedral for Mawuena Trebarh’s funeral. So, how could I have been chilling in Miami? On Sunday, I was at Suame for the funeral of the mother of our Ashanti Regional Organizer, Chairman Alhassan. Before that, on Wednesday, I was in Accra hosting NDC 360 from our studios. Everyone watched me. I was on set with Honourable Jinapor discussing the power sector and Free SHS. On Thursday, I was in the High Court supporting my good brother and friend, the Minority Leader, Honourable Ato Forson. So, when could I have been in Miami at an expensive hotel?” Gyamfi questioned.
He dismissed the allegations as “ridiculous” and “nonsensical,” insisting that no rational person would believe them. According to him, the story was a deliberate attempt to tarnish his image in retaliation for his criticisms of the current government.
He subsequently sued two journalists Wilberforce Asare of Asaase Radio and Michael Afriyie of ABC News for defaming him with the publication.
Court documents cited by GhanaWeb showed that Sammy Gyamfi was demanding damages of GH¢10,000,000 from the defendants.
Today, sammy gyamfi is sharing dollars on the streets of accra just 5 months in power
Elisha Owusu, captaining AJ Auxerre during the ongoing French Ligue 1 season.
Ghana international Elisha Owusu has expressed his delight after captaining AJ Auxerre during the ongoing French Ligue 1 season.
The 27-year-old midfielder has worn the captain’s armband three times this season in the absence of some key senior players.
Reflecting on the experience in an interview with Flashscore, Owusu shared his pride, saying, “I feel proud to have the honour to captain and help the team.
“Auxerre is a very big club in France, and it is a big honour to lead the team. I feel the responsibility to give my best and to help my teammates in the best way possible.”
With their top-flight status now secured, Auxerre are focused on finishing the season strongly.
“For us, the biggest target was to stay in the league first, and after that, we’ll see,” he said.
“We just want to stay in the league and win as many games as possible. We know that it is difficult to play in Ligue 1, but we will do our best,” he added.
Elisha Owusu has made 26 appearances for AJ Auxerre this season, contributing one goal and three assists. He will be hoping to continue his improved form when they host FC Nantes tonight at the Stade de l’Abbé-Deschamps, with kickoff set for 19:00 GMT.
“I Am Happy I Can See You” – Kofi Adoma’s Touching Birthday Tribute to Wife Amid Health Battle
News Hub Creator16h
Renowned Ghanaian broadcaster Kofi Adoma Nwanwani has melted hearts with a deeply emotional birthday message to his wife, Mrs. Miracle Adoma, while undergoing medical treatment abroad for an eye injury. Despite his health challenges, the media personality took to social media to express profound gratitude to his spouse, calling her his “miracle” and “soulmate.” His poignant words, “I am happy I can see you this day,” carried special significance as he continues his recovery journey, highlighting both his physical progress and the unwavering support of his life partner.
In his heartfelt post, Kofi Adoma credited his wife for standing by him through his medical ordeal, describing her love as unconditional and God’s greatest gift to him. The tribute, shared on what he called “World Miracle Day,” painted a picture of a bond strengthened by adversity, with the broadcaster declaring he had “stopped asking God for anything” because having his wife was blessing enough. The message also revealed his wife’s royal connection as Nana Abena Etruba, Benkumhene of Gomoa Amanful, adding another layer to their remarkable love story.
The broadcaster’s current absence from Ghana for specialized eye treatment makes this public declaration particularly moving, demonstrating how physical distance cannot weaken true emotional connection. Fans and colleagues have flooded social media with reactions, praising the couple’s inspiring relationship and wishing Kofi Adoma full recovery. Many have noted how the tender message humanizes the usually hard-hitting journalist, showing a vulnerable, loving side rarely seen by the public.
As Kofi Adoma continues his treatment, this birthday tribute serves as a powerful reminder of love’s healing power and the importance of cherishing life’s precious moments. Their story resonates beyond celebrity circles, offering hope to couples facing health challenges and proving that genuine partnership can shine brightest during life’s toughest trials. While Ghanaians eagerly await their beloved broadcaster’s return, this heartfelt message has already given the public something beautiful to celebrate – a love that transcends physical limitations.
Mahama Slams Akufo-Addo and Bawumia, Calls Out Failed Promises and Economic Decline
Former President John Dramani Mahama has launched a scathing critique of President Nana Akufo-Addo and Vice President Dr. Mahamudu Bawumia, branding them as the “most dangerous people in Ghana” over what he describes as failed leadership and a trail of broken promises.
In a strongly worded social media post, Mahama accused the duo of severely damaging both Ghana’s economy and environment. He criticized the current administration for what he sees as a major disconnect between their public assurances and actual governance, citing neglect in key sectors and a lack of accountability.
Central to his critique was the ongoing issue of illegal mining, known locally as galamsey. Mahama said the problem has worsened under the current leadership, with devastating effects on the environment and water resources, despite repeated government pledges to address it.
He also highlighted unfulfilled promises, particularly the pledge to construct dams across the country. Contrasting this with his own record, Mahama pointed to the successful construction of the Pina Dam during his time out of office. He further blamed the government for widespread economic hardship, stating, “They lied about building the economy; today, we are all suffering.”
Positioning the National Democratic Congress (NDC) as a credible and capable alternative, Mahama called for honest, visionary leadership—one that can deliver tangible solutions and real opportunities for Ghanaian youth. He stressed the need for a leader who not only speaks but also acts with integrity.
As political tensions rise, Mahama’s comments have intensified the national conversation on governance, accountability, and the direction of the country’s future leadership.
The conclave to select the next Pope is starting, and the Sistine Chapel is the room where it happens. As depicted (with some liberties taken) in the Oscar-nominated film Conclave, this historic event—part religious ritual, part election—occurs 15 to 20 days after the death of the Pope. It involves the cardinals, the senior officials of the church, voting on who among them should become the next pontiff.
Cardinals come to Rome from all over the globe to cast their votes; about 70 countries will be represented by the roughly 135 or so cardinals able to vote this year. While they sleep at the Domus Sanctae Marthae, a hotel-style residence for visitors in Vatican City, the cardinals are locked in the Sistine Chapel by day for deliberations and voting. (The word “conclave” comes from the Latin for “with a key.”)
After discussions, prayer, and reflection, the cardinals vote by writing a name on a piece of paper, folding it twice, and dropping it in a chalice to be counted. The process continues until one cardinal receives a two-thirds majority of the vote.
While locked into the 15th-century church, the cardinals won’t have access to cell phones or other electronics, but they will have plenty of inspiration to distract them, thanks to the fresco masterpieces on the wall and ceiling. Between Michelangelo’s Creation of Man on the ceiling to inspire divine thoughts and cell-phone-signal-scrambling technology in the floor tiles to prevent info leaks or election tampering, the Sistine Chapel becomes a meeting place between the past and the future, the divine and the secular, during this historic occasion. And the High Renaissance landmark is definitely ready to rise to the occasion.
Below are eight design details and interesting facts you likely didn’t know about the Sistine Chapel as it awaits Conclave 2025, which begins on May 7th. Regardless of who becomes the 267th Pope, for the next week or so, the Sistine Chapel itself is the star of the show.
It Was Built for This Moment
MAURIX//Getty Images
Cardinals entering the Sistine Chapel for the first day of the 2013 conclave.
Built on the ruins of an existing church in the 1470s, the Sistine Chapel was constructed for use in papal ceremonies. It is High Renaissance in style, and home to frescoes that make the chapel an art history class unto itself, with work by Domenico Ghirlandaio, Sandro Botticelli, and Cosimo Rosselli, not to mention the famed ceiling commissioned by Pope Julius II and painted by Michelangelo Buonarroti. The Sistine Chapel hosted its first conclave in 1492, and every conclave since 1878 has taken place there.
Michelangelo Underpromised and Overdelivered
Universal History Archive//Getty Images
Michelangelo’s The Last Judgment, one section of his Sistine Chapel ceiling frescoes.
Pope Julius II hired Michelangelo Buonarroti to paint frescoes onto the Sistine Chapel’s 131-foot by 43-foot ceiling (that’s an area of 5,381 square feet), because the original ceiling, which was just gold stars on a blue background, had cracked. He was commissioned to paint the 12 apostles, but in the end delivered over 300 figures, including Jewish prophets, 20 naked youths, and scenes from the Creation of Man, Noah’s flood, and the Fall of Man. The endeavor took him four years, from 1508 to 1512. The brilliant blue background of the Last Judgment is made from paint created using the semi-precious stone lapis lazuli, and it’s said that Pope Julius II paid for the materials in that section of the church, while Michelangelo footed the bill for paints in some other section.
There Are Nudes in the Sistine Chapel—Again!
Culture Club//Getty Images
The Noah After the Flood section of the Sistine Chapel.
Among the 300 figures Michelangelo painted were several nudes, including 20 young men called “Ignudi” or “the naked ones,” and souls on their way to judgment. In 1564, the year Michelangelo died, church leaders at the Council of Trento appeared to have a crisis of conscience and passed a censorship law, commissioning artist Daniele da Volterra to paint loincloths, fig leaves, snakes, and more over the body parts not deemed suitable for the Sistine Chapel. He gave over 41 people a wardrobe adjustment, but when the Sistine Chapel was restored between 1980 and 1994, almost half of those were removed. Some historians feel his modifications saved the ceiling from being torn down by overzealous censors.
There’s a Historic Baptismal Font Where You Could (in Theory) Have Your Baby Baptized
Mondadori Portfolio//Getty Images
On the first Sunday during Epiphany—the Feast of the Baptism of the Lord—the Pope baptizes babies using the Sistine Chapel’s historic baptismal font. The base of the font is a stone from the River Jordan, where Jesus was baptized. The font itself represents the Tree of Life, holding the rising sun in its branches. While it is possible to have your infant baptized in the Sistine Chapel, it’s rather unlikely. The complicated application process involves securing a letter of eligibility from your parish priest and writing a letter to the Pope explaining why you’d like your child baptized in the chapel.
Cell Phone Blocking Technology Is Built Into the Floor
Unlike your average 16th-century church, the Sistine Chapel is up to date on the latest information-blocking technology. Floor tiles that are equipped to block cell phone signals have been installed in the chapel’s new floor and are meant to keep late-breaking info and gossip—the stuff that made the movie Conclave popular—out of the actual conclave.
Other privacy technologies that have been used in the past and are likely to come into play again are film to block windows from drones that might fly past, and jamming devices high up on the walls to block any transmission of information in or out. Even the food the cardinals are served must be suspicion-free—local fare often cooked by nuns, rather than pies or other complex foods, which could contain hidden messages.
There Is a Cast-Iron Stove for Ballot-Burning
Mondadori Portfolio//Getty Images
The cast-iron stoves from the 2013 conclave.
In fact, there are two cast-iron stoves utilized during the conclave. One is where each cardinal’s ballots are burned at the end of every day. (Ballots are burned after every two votes, on odd numbers, with votes taken four times a day, two in the morning, two in the afternoon. So after the first, third, and fifth elections, for example, the stove is fed ballots.)
The other stove produces the black or white smoke that lets people outside the Vatican know whether or not a new pontiff has been chosen. The color of the smoke depends on the components being burned; in the past, black smoke has been made up of potassium perchlorate, anthracene, and sulfur, and white smoke is composed of potassium chlorate, lactose, and chloroform resin.
It Just Got a Brand New (But Temporary) Chimney
Vatican Pool//Getty Images
On May 3, 2025, Vatican firefighters installed a new, temporary chimney on the roof of the Sistine Chapel to prepare for conclave.
The cardinals vote daily during a conclave, and the new pope is officially selected once a candidate receives two-thirds of the 135 or so votes. (That is the number of cardinals gathering this year, but one must be under the age of 80 to vote.) At the end of each day that ends without a conclusive majority, black smoke is released from the Chapel’s chimney to let people know a pope has not yet been chosen. Once a majority is established, the chimney exudes white smoke instead. Last week, according to NPR, a new, temporary chimney was attached to the chapel to ensure the smoke signals go smoothly during conclave.
You Can Visit This Historic Space, Just Not Right Now
The Sistine Chapel is open to the public as part of the Vatican Museums. However, most of the Vatican Museums, including the Sistine Chapel, are closed for Conclave beginning on Monday, April 28, and will reopen once a new Pope is elected. How long will you have to wait to admire Michelangelo’s nudes yourself? Nobody knows for sure, but while there was a conclave that lasted almost three years (from November 1268 to September 1271, after the death of Pope Clement), no conclave since 1900 has lasted more than 4 days, and the last two only took two days.
If you really can’t wait, join the throngs in St. Peter’s Square waiting for the white smoke. According to the National Catholic Register, ballots are expected to burn at noon and 7 p.m. local time in Rome each day. (Although, if the next pope is elected on an even-numbered ballot, there’s no need to wait for the odd round to burn ballots, so smoke could arise an hour earlier, at 11 a.m. and 6 p.m). It’s one way to see (and smell) history in the making.
Accra, May 11, GNA – The 26th edition of the Telecel Ghana Music Awards(TGMAs) was held on Saturday, May 10, 2025, at the Grand Arena of the Accra International Conference Centre.
King Promise took home the coveted Artist of the Year award, edging out the likes of Stonebwoy, King Paluta, Team Eternity, Kweku Smoke, Black Sherif and Joe Mettle.
Numerous artistes also received awards in various categories under the year of review.
Below is the full List of winners:
Artiste of the Year – King Promise
Most Popular Song of the Year – King Paluta (Aseda)
Best New Artiste – Beeztrap KOTM
Record of the Year – Ayisi
Best Reggae Song – Stonebwoy (Psalm 23)
Best Reggae Artiste – Stonebwoy
Best Hiphop/Hiplife Artiste – Kweku Smoke
Album/EP of the Year – King Promise
Group of the Year – Team Eternity
Best Gospel Artiste – Joe Mettle
Songwriter of the Year – Kofi Kinaata
Highlife Song of the Year – King Paluta
Hiplife Song of the Year – Tulenkey ft Beeztrap KOTM (Feeling).
Best Male Vocal Performance – Joe Mettle
Best Female Vocal Performance- Esther Goodwyll
Best Rap Performance – Kweku Smoke
Best Hiphop Song – Kweku Smoke (Holy Gost)
Best Afgrobeat Song – OlivetheBoy (Asylum)
Best Hiplife/Hiphop Artiste – Kweku Smoke
Best Highlife Artiste – Fameye
Best Afrobeats/Afropop Artiste – King Promise
Best Afropop Song – King Promise (Paris)
Collaboration of the Year – Kidi ft Blacl Sherif (Lomo Lomo)
Int. Collaboration of the Year – Diana Hamilton ft Mercy Chinwe (Doing of the Lord)
The 26th edition of the Telecel Ghana Awards (TGMA) dazzled with its usual blend of glamour, culture, and showbiz flair, and rapper Okyeame Kwame stole the spotlight with a striking Pharaoh-inspired outfit.
Gracing the red carpet in a richly detailed Egyptian regalia fused with traditional Ghanaian Kente, Okyeame Kwame’s look stood out as a bold statement of African pride and identity. The ensemble was a vibrant celebration of heritage and pan-African consciousness.
Speaking about his choice of attire on the red carpet, on Saturday, May 10, he said, “Why Cairo? Because, you know, there’s a new norm. Africa is rising. Africa is kicking against neo-colonialism. And our identity is rising… I decided to remind all of us that we come from royalty. Don’t be in love with it.”
According to the rapper, the outfit took three days to complete. While the designer’s name was not disclosed during the red carpet interview, he lauded the creator’s craftsmanship and called for recognition.
“We need to put the spotlight on the designer as well. And, you know, just give him a round of applause for what he’s done. Very beautiful,” he remarked.
As anticipation built for the night’s performances and award announcements, the “Faithful” hitmaker expressed hopes of winning a few accolades.
“I’m really excited about performances. I also want to know who is going to become Artist of the Year. And then, I want to win maybe one or two awards myself, just for myself,” Okyeame Kwame stated.
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Afrobeat sensation King Promise emerged as the biggest winner at the 26th edition of the Telecel Ghana Music Awards (TGMA).
He clinched the coveted Artiste of the Year title in a night filled with glamour, electrifying performances, and heartfelt tributes to Ghana’s music legends.
The event, held at the Grand Arena of the Accra International Conference Centre on Saturday, May 10, saw King Promise beat stiff competition from Stonebwoy, Black Sheriff, Kwaku Smoke, King Paluta, Joe Mettle, and Gospel group Team Eternity. He took home the top honour.
Other winners of other categories include Beeztrom Kotm, who won the Best New Artiste of the Year, and Stonebowy, who won the Best Reggae/ Dancehall Artiste of the Year.
The Member of Parliament for Gushegu, Alhassan Tampuli has ridiculed the new Code of Conduct launched by President John Dramani Mahama, describing it as nothing more than “courtesy for boys and girls.”
The president has launched a Code of Conduct outlining new guidelines for moral behavior, public accountability, and abuse of power for all political appointees under his government.
All ministers, deputy ministers, presidential staff, chief executive officers, board members, members of the Council of State, and other appointees working under the Executive are subject to the Code, which was introduced at the Jubilee House on Monday, May 5, 2025.
The President and the Vice-President are likewise bound by it.
But commenting on the set of rules for the government appointees, Alhassan Tampuli, a lawyer turned politician, stated that the code of conduct as it has been put together is not fit for purpose.
“I think that this is an effort which in my view is not able to deal with the situation that we find ourselves in, except when we are able to enact them into a law. What I see right now is more or less a courtesy for boys and girls. We are talking about civility, restraint, influence peddling, so on and so forth.
“Some of the provisions I see in there, I am not too sure whether they should come under code of conduct for puplic officers per se. There are certain things you don’t need to put them down in writing.”
Provisions in the Code of Conduct
The Code forbids appointees from accepting gifts or favors from people or organizations that have a stake in governmental decisions, among other things.
Although gift-giving is culturally accepted in Ghana, Mr. Mahama emphasized that moral limits must now be upheld.
“If a gift is received during an official engagement and its estimated value exceeds GH¢20,000, it must be declared,” he said.
“And upon leaving office, the gift must be surrendered unless the President grants written permission for it to be retained.”
He added that government funds, including internally generated funds must not be used to purchase hampers or gift items.
Only Exception
The only exception, according to Mr. Mahama, would be gifts given to employees in honor of their achievements or upon their retirement; even these would need to be approved by the Office of the Chief of Staff and budgeted for.
Nepotism and Conflict of Interest
Nepotism and conflicts of interest are also covered under the Code. According to Mahama, appointees are required to disclose all private commercial interests, particularly those connected to government organizations. They are not allowed to use their power to get appointments or contracts for close friends or family members.
“Public perception matters. If your actions give even the appearance of bias, you compromise the integrity of your office,” President Mahama stated.
Ministerial Travel
According to Mahama, the Chief of Staff must give his or her prior approval for any travel outside of Ghana, whether it be official or not. Additionally, within 14 days of returning from any official duty, appointees are required to provide a report. Retroactive approvals will no longer be considered, he said.
Ban on buying state asset
The Code also forbids political appointees from directly or indirectly acquiring any type of governmental property, including buildings, vehicles, shares, and land.
“If you attempt to do so and you are found out, your appointment will be terminated,” the President warned.
Punishment for violating the Code
Violations of the Code will attract sanctions, ranging from public reprimands and suspension to outright dismissal.
How the Code will be enforced
To support enforcement, Mr Mahama announced plans to set up a portal for citizens to confidentially report suspected breaches.
Describing the Code as strict but necessary, he urged appointees to comply fully and lead by example.
“If you abide by this Code, it will help restore the faith of our people in our democracy,” he told the gathering.
“Let us walk this path together with discipline, humility and a clear sense of duty to the people of Ghana.
Gushegu MP Alhassan Tampuli mocks President Mahama’s new Code of Conduct, calls it “courtesy for boys and girls” #PMExpresspic.twitter.com/YxcVYQQShT
Former Germany international, Gerald Asamoah, has expressed doubt about an African nation winning the FIFA World Cup.
The only African country that has come close to lifting the coveted trophy is Morocco in 2022, where they played in the semifinals but lost to Croatia in the third and fourth place.
The former Schalke forward, who is of Ghanaian heritage, believes countries from the continent still face challenges in competing at the highest level of global football.
“I want to see this before I leave the earth, but it is not going to be easy,” he said, as reported by Joy Sports
“It is about teamwork, and this is a problem Africans have. We have always had some issues in the team,” he added.
Meanwhile, Ghana and Senegal have come close by making it to the quarter-finals, but have ultimately fallen short of clinching the trophy.
The next World Cup will be held in 2026 across the USA, Canada and Mexico, with qualifiers still ongoing.
Ghana’s Black Stars, who sit top of Group I with 15 points, are on course to qualify for the tournament. They will face Chad and Mali in September’s World Cup qualifiers.
The electric vehicles Mahama received and donated to the State
The Minister in charge of Government Communications, Felix Kwakye Ofosu, has explained why President John Dramani Mahama received a car gift before returning it to the state.
He clarified that the cars were offered by two businesses that were introducing and marketing their new battery-powered automobiles, and they recognized that the President’s prominence may be a calculated move to link their brand to the president.
Hon. Felix Ofosu Kwakye stressed that the President did not require the cars because the state has supplied for him in full; yet, the President complied with the law’s demand that gifts over a specific amount be returned.
He added that the return was timed to allow the President to set an example by coinciding with the introduction of a code of conduct. The President could have kept the cars without anyone noticing, he said, but he opted for openness.
“On the day the Code of Conduct was being launched it was important that an example is set. The president could have received the vehicles quietly and nobody would have known that he had received any vehicles. But he declared them. As I have said here, there are a lot of things that people don’t get to hear.
They went to pay a courtesy call on him and inform him that they have started bring environmentally friendly vehicles as part of efforts to safeguard the environment. And that, these are electric vehicles they want to promote as one of the ways of government’s efforts to transition to green energy and therefore given his personality if he was associated with that kind of movement he was going to create public awareness, that is all it was.”
Hon. Felix Ofosu Kwakye addressed questions about why the President accepted a car gift before donating it back to the state.
He explained that the cars were presented by two companies that were launching and promoting their new battery-powered vehicles, and they saw that the… pic.twitter.com/87fPRa7ysD
Mario César Martins de Camargo (M) among other members of the club
President-Elect of Rotary International (RIPE), Mario César Martins de Camargo, has reaffirmed the organization’s commitment to working closely with the government of Ghana and key public institutions to advance national development.
Speaking during his official visit to Ghana—part of a broader tour of selected African countries on May 10, 2025—Camargo emphasized the importance of partnerships in achieving Rotary’s mission of peace and community transformation.
“One of the main purposes of this visit is to promote the concept of partnership—partnership between Rotary, the government, and public institutions such as hospitals, environmental agencies, and microeconomic development bodies. These are areas of focus through which we can promote peace and sustainable development,” he stated.
He highlighted Rotary’s ongoing contributions to education and empowerment, noting that the organization has awarded scholarships to more than 2,000 students.
“We have an agenda of positive actions,” he added.
As part of the visit, Rotary International District 9104 (Ghana) concluded a major fundraising campaign aimed at supporting key development initiatives in education, health, sanitation, and community development.
The campaign, which included a public raffle, ended with Kafui Kofi Karnu winning a brand-new saloon car.
District Governor Maame Hagan officially handed over the vehicle and assured the public of the transparency of the process.
“The National Lottery Authority handled all regulatory aspects. It was fair, and he genuinely won,” she said.
Governor Hagan also revealed that while the campaign targeted GH¢1 million, it succeeded in raising about half that amount.
AM/
Meanwhile, watch GhanaWeb’s tour of Odweanoma Paragliding Field below:
play videoThe event is the biggest on the annual music awards calendar
The 2025 edition of Ghana’s most anticipated music awards event, the Telecel Ghana Music Awards (TGMAs), is officially underway.
As is tradition, the red-carpet session has begun, with hosts engaging guests to share their expectations for the night.
The spotlight is firmly on the highly coveted ‘Artiste of the Year’ category, which features a keenly contested race between top gospel and secular artistes.
Newly crowned ‘Best New Artiste of the Year,’ Beeztrap
Ghanaian trap artiste Beeztrap has won the “Best New Artiste of the Year” award at the 26th edition of the Telecel Ghana Music Awards (TGMA) held at the Accra International Conference Centre.
The accolade, which recognises outstanding new talent in the Ghanaian music industry, was a highly contested category.
Notable nominees included Lali X Lola, Arathejay, Team Eternity and Kwesi Amewugah.
Beeztrap took to the stage amidst roaring applause to accept his award.
Upon receiving his award at the 2025 Telecel Ghana Music Awards, the newly crowned Best New Artiste of the Year expressed heartfelt gratitude to key supporters in his life and career.
He began by thanking God and dedicating a special message to his mother in honour of Mother’s Day.
He also gave shoutouts to the Way Up Gang, Paradise, who played a role in promoting his song on social media and the Asakaa collective.
“A big thanks to the almighty God, happy Mother’s Day to all mothers. Mummy, you are watching me; I love you so much. Big shout out to way up gang, big shoutout to Paradise, big shoutout to Asakaa,” he shared.
President John Dramani Mahama’s return to Ghana’s highest office has crossed the 120-day mark, and across the diaspora, a quiet but firm verdict is forming: this time feels different. From Toronto to Frankfurt, London to Accra, Ghanaians abroad are expressing cautious optimism—tempered with a reminder that Ghana’s greatest challenge may not be policy, but people.
In conversations with Ghanaians living overseas—many of whom contribute to the nation’s economy through remittances, trade, and professional networks—a common theme emerges: Mahama has brought calm and focus back to governance. But unless the national mindset changes alongside political leadership, even the best policies will struggle to take root.
A More Measured Presidency; Mahama’s leadership style since returning to power has been widely noted for its maturity and discipline. In contrast to the political turbulence of recent years, his presidency so far has been defined by steadiness over spectacle.
“He’s not reacting to noise or playing to the gallery,” says Amma Opoku, a lawyer based in London. “He’s governing like someone who’s learned from the past—and we’re seeing a more thoughtful, deliberate approach.”
For a diaspora long frustrated by instability and political grandstanding, Mahama’s tone is being interpreted as a reset: one that puts governance over gamesmanship.
Economic Foundations: Fragile, But Stabilizing; On the economic front, early moves by Mahama’s administration have been met with cautious approval. The cedi has shown signs of resilience, with slight gains against both the dollar and the euro in recent weeks—offering some relief in a country still recovering from inflation and debt pressures.
“There’s no miracle at play, but we’re seeing consistency,” says Kwame Badu, a Ghanaian financial analyst in Frankfurt. “Even small signals—currency stability, coordinated messaging—matter. Confidence starts with discipline.”
Yet as Ghanaians abroad know all too well, numbers on paper don’t always match prices in the market. A drop in the dollar means little if local traders continue to inflate costs. This disconnect, they say, is not about economics—it’s about culture.
The Real Crisis: Attitude and Accountability; Despite the cautious optimism, many Ghanaians abroad voice a growing concern: the everyday mindset back home. From inflated pricing to cutting corners in public service, there’s worry that too many citizens are unwilling to change—even when government is trying to lead responsibly.
Kwadwo Aninakwaa, an economist in Frankfurt, puts it bluntly:
“If the dollar falls and importers don’t reduce their prices, the economy becomes unmanageable. Policies alone won’t save us. The people have to cooperate. If not, everything eventually fails.”
This frustration is echoed across diaspora circles—from family WhatsApp groups to professional forums. The sentiment is clear: Ghana can’t move forward if its citizens are pulling in different directions.
“We love Ghana, but we must admit—we have a mindset problem,” says Adjoa Mensah, a teacher in Montreal. “Everyone wants change, but few want to change themselves. Until we take responsibility as individuals, no president—no matter how capable—can succeed.”
The Role of the Diaspora: Eager to Engage; President Mahama’s consistent engagement with the diaspora is another factor fueling hope. From recognising dual citizens to supporting diaspora investment channels, his administration has long acknowledged the potential of Ghanaians abroad—not just as remittance senders, but as development partners.
“There’s a renewed sense of openness,” says Yaw Sarpong, a Ghanaian tech entrepreneur in New Jersey. “We’ve been waiting for the chance to contribute meaningfully. Now it feels like that door might stay open.”
But even here, diaspora voices caution that goodwill must be matched by practical policy frameworks that make it easier to return, invest, and collaborate.
The Road Ahead: A Second Chance, But Not a Guarantee; After 120 days, the Mahama presidency appears to be laying a solid foundation—one that’s calm, pragmatic, and intentionally understated. For Ghanaians abroad, that’s welcome news. But they also know that real progress takes more than stability at the top. It takes discipline at every level of society.
“This is a second chance for Mahama—but also for the country,” says Nana Kwabena, an architect based in Oslo. “We can’t afford to waste it by repeating old habits. The president can only do so much. The rest is up to us.”
If Ghana is to move forward, the message from the diaspora is loud and clear: leadership is essential, but so is followership. Mahama may be driving the bus—but the passengers need to know where they want to go.
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DISCLAIMER: The Views, Comments, Opinions, Contributions and Statements made by Readers and Contributors on this platform do not necessarily represent the views or policy of Multimedia Group Limited.
The 26th edition of the Telecel Ghana Music Awards (TGMAs) is currently underway at the Grand Arena of the Accra International Conference Centre and as expected, it has been a night of glitz and celebration.
The event, which has established itself as a key event on Ghana’s entertainment calendar, honours excellence in music across multiple genres and categories.
The 2025 edition has featured thrilling live performances, award presentations and unforgettable red carpet moments.
From fan-favourites to rising stars, the night has seen several acts walk away with some of the industry’s most coveted awards.
Below is a full list of winners at the 26th Telecel Ghana Music Awards:
Unsung Artsite – Yaw Darling
Best Hiplife Song of the Year – Bad feeling by Tulenkey
Best Male Vocalist – Joe Mettle
Best Female Vocal Performance – I Choose to Praise by Esther Godwyll
Best Highlife Song of the Year – King Paluta
Best Hip-hop Song of the Year – Holy Ghost by Kweku Smoke
Collaboration of the Year – Lomo Lomo by KiDi featuring Black Sherif
International Collaboration of the Year – Doing of the Lord by Diana Hamilton featuring Mercy Chinwo
Best Afropop Song of the Year – Paris by King Promise
Lifetime Achievement Award – Yaw Sarpong
Best Traditional Gospel Song – Watch Me by Empress Gifty
Best Afrobeat Song of the Year – Asylum by Olivetheboy
Best Music Video – Jejereje by Stonebwoy directed by Banini
Gospel Artiste of the Year – Joe Mettle
Producer of the Year – Kendybeats and King Paluta
Best Afrobeat/Afropop Artiste of the Year – King Promise
Best Urban Contemporary Gospel Song of the Year – Defe Defe by Team Eternity
Best African Song – Tshwala Bam by TitoM, Yuppe & Burna Boy
Highlife Artiste of the Year – Fameye
Songwriter of the Year – Kofi Kinaata
Rap Performance of the Year – Kweku Smoke (Holy Ghost)
Best Reggae/Dancehall Artiste of the Year – Stonebwoy
Group of the Year – Team Eternity Ghana
Best Hiplife/Hip Pop Artiste of the Year – Kweku Smoke
Best Reggae/Dancehall Song of the Year – Psalm 23 by Stonebwoy
Album/EP of the Year – True to Self by King Promise
Record of the Year – Can I Live by Ayisi
Best New Artiste of the Year – Beeztrap
Most Popular Song of the Year – Aseda by King Paluta
“Motherhood is a big deal,” MzGee, a Ghanaian media personality, reflected, her voice thick with emotion.
“When you go through it, you understand. If you don’t respect your mother, if you speak to her anyhow—ah, you will regret it.”
Those words come from a place of deep personal experience, as MzGee opened up about the challenges she faced during and after childbirth.
For the popular media personality, the journey into motherhood was far from easy, and it gave her a new perspective on what it truly means to be a mother.
MzGee’s pregnancy was not without complications, but it was the postpartum period that proved most challenging. Despite the joy of welcoming her child, MzGee’s health took a dramatic turn for the worse. After being discharged from the hospital, her blood pressure remained dangerously high, and she required constant monitoring to ensure her safety.
“I was on the altar. I was praying because, at that point, I became scared for my own life,” she shared on Gee O’clock, recalling the terrifying moments when she feared for her well-being.
Her recovery was compounded by the exhaustion of caring for a newborn, and it was during those overwhelming days that she found comfort in the support of those around her. Her friend Ann Marie played a crucial role, staying by her side to help care for the baby during the most difficult moments.
“I was physically drained, but it was my support network that gave me the strength to push through,” MzGee said, acknowledging the importance of having people who truly care in times of crisis.
The ordeal gave her a profound understanding of motherhood and the unspoken burdens many women carry. “When you go through it, you truly understand the strength it takes to be a mother,” she explained. “Motherhood is not just about giving birth; it’s about surviving the emotional, physical, and mental toll it takes on you.”
Her experience reshaped how she views motherhood, especially in relation to the respect it deserves. It was a lesson learned through her own struggles and a call for greater empathy and appreciation for mothers everywhere.
AM/KA
#TheAdutwumFactor! Watch as Yaw Osei Adutwum declares intent to contest NPP flagbearership for 2028
The 26th edition of the Telecel Ghana Music Awards (TGMAs) is currently underway at the Grand Arena of the Accra International Conference Centre, and as expected, it has been a night of glitz, and celebration.
The event which has established itself as a key event on Ghana’s entertainment calendar, honours excellence in music across multiple genres and categories.
The 2025 edition has featured thrilling live performances, award presentations, and unforgettable red carpet moments.
From fan-favourites to rising stars, the night has seen several acts walk away with some of the industry’s most coveted awards.
Below is the list of winners so far at the 26th Telecel Ghana Music Awards:
Unsung Artsite – Yaw Darling
Best Hiplife Song of the Year – Bad feeling by Tulenkey
Best Male Vocalist – Joe Mettle
Best Female Vocal Performance – I Choose to Praise by Esther Godwyll
Best Highlife Song of the Year – King Paluta
Best Hip-hop Song of the Year – Holy Ghost by Kweku Smoke
Collaboration of the Year – Lomo Lomo by KiDi featuring Black Sherif
International Collaboration of the Year – Doing of the Lord by Diana Hamilton featuring Mercy Chinwo
Best Afropop Song of the Year – Paris by King Promise
Lifetime Achievement Award – Yaw Sarpong
Best Traditional Gospel Song – Watch Me by Empress Gifty
Best Afrobeat Song of the Year – Asylum by Olivetheboy
Best Music Video – Jejereje by Stonebwoy directed by Banini
Gospel Artiste of the Year – Joe Mettle
Producer of the Year – Kendybeats and King Paluta
Best Afrobeat/Afropop Artiste of the Year – King Promise
Best Urban Contemporary Gospel Song of the Year – Defe Defe by Team Eternity
Best New Artiste – Beeztrap
Tulenkey ft. Beeztrap – Best Highlife song of the year
Stonebwoy – Best Reggae/ Dancehall song of the year
King Promise – Best Album EP of the Year
King Paluta – Most popular song of the year
Ayisi – Record of the year and audio engineer of the year
This year’s Telecel Ghana Music Awards took place at the Grand Arena of Accra International Conference Centre (AICC) on Saturday, May 10.
King Promise won Artiste of the Year beating his closest rivals, Stonebwoy and King Paluta.
Other winners on the night included Empress Gifty, Stonebwoy, Kofi Kinaata, Esther Godwyll, Kweku Smoke, KiDi, Team Eternity Ghana and Tulenkey.
Gospel artiste, Yaw Sarpong was honoured with Lifetime Achievement award for his contribution to the gospel music industry. In all 32 awards were presented.
The night opened with a performance by Ayisi, followed by Yaw Darling, who won Unsung Artiste of the Year.
Empress Gifty, Daughters of Glorious Jesus, Stonebwoy, King Promise, King Paluta also took their turns to wow their audience.
There was also performance by Mavis Asante, Maame Tiwaa
Titi Owusu, Adina, Adomaa had a tribute performance in honour of Osibisa band whose band leader, Teddy Osei died this year.
The full list of winners:
Unsung Artiste of the Year: Yaw Darling
Best Hiplife Song of the Year: Bad Feelins by Tulenkey
Best Male Vocalist of the Year: Joe Mettle
Best Female Vocal Performance: Esther Godwyll
Best Highlife Song of the Year: King Paluta: Makoma
Best Hiphop Song of the Year: Kweku Smoke (Holy Ghost)
Best Collaboration of the Year: KiDi ft Black Sherif(Lomolomo)
Best International Collaboration of the Year: Diana Hamilton ft Mercy Chinwo (This is the Doing of the Lord)
Best Afropop Song of the Year: King Promise (Paris)
Lifetime Achievement Award: Yaw Sarpong and the Asomafo band.
Best Traditional Song of the Year: Empress Gifty(Watch Me)
Best Afrobeats Song of the Year: OliveTheBoy(Asylum)
Best Video of the Year: Stonebwoy(Jerejere)
Best Gospel Artiste: Joe Mettle
Producer of the Year: Khendi Beatz (Aseda)
Best Afropop/Afrobeats Artiste of the Year: King Promise
Best Urban /Contemporary Gospel: Team Eternity Ghana
Best African Song of the Year: Tshwala Bam by Burna Boy, TitoM and Yuppe
Best Highlife Artiste of the Year: Fameye
Songwriter of the Year: Kofi Kinaata(Saman)
Rap Performance of the Year: Kweku Smoke
Best Reggae/Dancehall Artiste: Stonebwoy
Group of the Year: Team Eternity Ghana
Best Hiplife/Hiphop Artiste of the Year: Kweku Smoke
Best Reggae/ Dancehall Song of the Year: Stonebwoy
Golden Kick Sporting Club have booked a place in the MTN FA Cup final for the first time in the club’s history after a spirited 3-1 victory over Attram De Visser in the semifinal on Saturday.
The Division One League side delivered a dominant performance at the Accra Sports Stadium, with Bless Ege scoring twice and Paul Yeboah adding another to seal a famous win. Attram De Visser’s Precious Gyimah pulled one back, but it proved to be a mere consolation.
The win sees Golden Kick become the first second-tier side to reach the FA Cup final since Okwahu United achieved the feat in 2016. On that occasion, Okwahu fell short with a 2-1 defeat to Bechem United—something Golden Kick will be hoping to avoid as they target an even greater achievement.
Golden Kick now await the winner of the other semifinal clash between Asante Kotoko and Berekum Chelsea, which will be played on Sunday, May 11 at the TNA Stadium.
With one more victory, Golden Kick could etch their name into Ghanaian football folklore by becoming the first Division One club in nearly a decade to lift the prestigious MTN FA Cup.
Afrobeat artiste King Promise has been named Artiste of the Year at the 26th Telecel Ghana Music Awards (TGMAs), held on May 10, 2025, at the Grand Arena of the Accra International Conference Centre.
The Paris hitmaker secured the top honour after edging out stiff competition from fellow nominees Stonebwoy, King Paluta, Kweku Smoke, Team Eternity Ghana, Joe Mettle, and Black Sherif.
This marks the first time King Promise has won the prestigious title, following several nominations in past editions.
After narrowly missing out on the award last year, King Promise took a more strategic approach this year by ramping up his campaign efforts.
He officially named media personality Tilly Akua Nipaa as his spokesperson in the lead-up to the event.
The National Commission on Small Arms and Light Weapons (NACSA) has called for the passage of the long-overdue firearms control law, citing the urgent need to update Ghana’s outdated legal framework, which has remained unchanged for over five decades.
According to earlier reports by the Commission, the number of small arms in circulation surged from 240,000 in 2004 to 2.3 million by 2014—the last time a baseline assessment was conducted.
Alarmingly, only about 1.2 million of these weapons were legally acquired or registered.
Dr Adam Adamu Alhassan Bonaa, Acting Executive Secretary of NACSA, has warned that Ghana’s current laws governing arms dealership and regulation are obsolete and ill-equipped to address modern threats, including the rise of 3D-printed weapons and online arms transactions.
Speaking at the closing session of a five-day international workshop on the Arms Trade Treaty (ATT) in Accra on May 9, 2025, he revealed that a draft firearms bill, under development for the past eight years, is expected to be laid before Parliament this year.
“The constitution itself is about 32 years old and under review, but the law guiding firearms is over 50 years old. We cannot be dealing with advanced threats using outdated laws,” he stated.
Dr Bonaa cautioned that Ghana’s failure to pass a modern firearms law undermines efforts to control arms diversion, fake end-user certificates, and unauthorized brokerage—issues that continue to fuel insecurity in parts of West Africa.
The Commission believes that passing the new law will not only strengthen Ghana’s compliance with international treaties but also reinforce its reputation as an “oasis of peace” in a volatile sub-region.
Carina Solmirano, Head of the ATT Secretariat, highlighted the importance of empowering West African nations with the skills necessary to implement the Arms Trade Treaty effectively.
She noted that the European Union has supported the initiative to ensure participants receive training that equips them with practical expertise in arms control.
Participants, including representatives from Ghana, Cameroon, and The Gambia, expressed appreciation for the workshop, emphasising its impact on their countries’ security frameworks.
Eugene Nyudine Ngalim from Cameroon stated that the training would go a long way in helping regional security agencies combat illicit arms proliferation.
Rohie Bittaye Darboe from The Gambia praised the workshop’s insightful approach, noting that it would strengthen efforts in regulating illegal weapons across the region.
The workshop is supported by the European Union, which has been a major partner in global efforts to improve arms control and promote peace and security through the ATT framework.
AM/KA
#TheAdutwumFactor! Watch as Yaw Osei Adutwum declares intent to contest NPP flagbearership for 2028
Minister in charge of Government Communications, Felix Kwakye Ofosu, has disclosed that President John Mahama has barred his appointees from holding birthday parties.
According to him, the move by the president is to ensure the culture of modesty and being thrifty is instilled in his appointees.
Speaking during a panel discussion on TV3 on Saturday, May 11, 2025, Felix Kwakye Ofosu who is also the Member of Parliament for Abura Asebu-Kwamankese Constituency stated that the directive by the president includes a ban on any other forms of lavish parties.
“President Mahama actually has outlawed parties too. He says you can’t do parties. Again, it is not unlawful, if you did a birthday party it is not illegal, nobody will arrest you, but the President will clamp down. The president says his appointees should not organise birthday parties or any other forms of lavish parties.”
President John Dramani Mahama has launched a Code of Conduct outlining new guidelines for moral behavior, public accountability, and abuse of power for all political appointees under his government.
All ministers, deputy ministers, presidential staff, chief executive officers, board members, members of the Council of State, and other appointees working under the Executive are subject to the Code, which was introduced at the Jubilee House on Monday, May 5, 2025. The President and the Vice-President are likewise bound by it.
Stonebwoy has won the Reggae/Dancehall Artiste of the Year at the 2025 Telecel Ghana Music Awards (TGMA), marking his tenth win in this category in a row.
He won the award at the 2024 TGMAs and has won it in 2015, 2016, 2017, 2018, 2019, 2022 and 2023.
Stonebwoy also won the Best Music Video with his hit song, ‘Jejereje’ and the Best Reggae/Dancehall song of the year. He is also contending for the Artiste of the Year.
He beat competition from Samini, Ras Kuuku, Jupitar, Epixode, and Rocky Dawuni. Stonebwoy’s consistent dominance in this category is attributed to his hit songs like “Psalm 23”, ‘Ekelebe’, ‘Manodzi’, ‘Jejereje’ and his global performance and collaborations.
The ‘Ekelebe’ hitmaker expressed gratitude to his fans and organizers while receiving the award.
Read also: 26th TGMA: Check full list of winners
Stonebwoy urged stakeholders in the industry to acknowledge consistency and accord respect to artistes who have maintained their longevity in the industry.
“This should be my tenth Reggae/Dancehall Artiste of the Year and it’s been back-to-back to back. I don’t take it for granted at all. I didn’t come tonight to celebrate success; I came to remind you all that have respect for longevity. Consistency in the game should not come after the applause, trophies. Respect should be the standard,” Stonebwoy noted in his speech.
Dr Emmanuel Akwetey, Executive Director of the Institute for Democratic Governance
Executive Director of the Institute for Democratic Governance (IDEG), Dr Emmanuel Akwettey, has called for a full-scale, independent investigation into explosive allegations made by the former Director-General of the National Signals Bureau (NSB), Kwabena Adu-Boahene, regarding the disbursement of GH₵49 million.
“These are not mere rumours,” Dr Akwettey stated during an appearance on Newsfile on JoyNews, addressing the serious claims outlined in a memo from Adu-Boahene, which alleged that substantial sums of money were diverted for political and presidential purposes.
“When GH₵8.3 million is said to have been channelled to one political party, and GH₵5.1 million to presidential aides, we cannot simply shrug this off,” he emphasized.
Akwettey urged the Attorney-General and relevant security agencies to thoroughly investigate the matter. “Every cedi that has been mentioned must be accounted for,” he stressed.
He warned that inaction would come at a high cost to public trust. “If we allow these accusations to linger without verification, we risk undermining confidence in our national security apparatus and the rule of law.”
Dr Akwetey further called for the probe to be conducted carefully and free from political interference. “Let us ensure that this process is neither politicised nor rushed. The Ghanaian people deserve clarity and accountability—only then can we move forward with confidence.”
Renowned gospel minister Joe Mettle once again stamped his authority on Ghana’s gospel music scene by sweeping two major accolades at the 26th Telecel Ghana Music Awards (TGMA).
He was announced the Best Gospel Artiste of the Year and Best Male Vocal Performer.
Joe Mettle’s powerful vocal delivery on the track “Obo Awan Oba” stood out among a strong list of contenders, earning him the title of Male Vocal Performer of the Year for the third time.
His previous wins in this category came in 2015 and 2017, making this a well-deserved and celebrated return to that spotlight.
In addition to his vocal win, being crowned Best Gospel Artiste of the Year was another testament to his consistency and deep connection with gospel audiences both in Ghana and abroad.
Since clinching his first TGMA award in 2015, Joe Mettle has maintained a near-unbroken presence at the top, collecting accolades year after year.
His most historic win came in 2017, when he became the first-ever gospel artiste to be crowned TGMA Artiste of the Year, a groundbreaking moment that opened doors for many gospel acts in the mainstream music space.
This year’s double win brings his total TGMA awards to six, reinforcing his longevity and spiritual calling.
Ghanaian Dancehall artiste Stonebwoy has called for greater respect for longevity and consistency in the music industry after winning his 10th Reggae/Dancehall Artiste of the Year award at the 2025 Telecel Ghana Music Awards (TGMAs).
During his acceptance speech, the “Jingle and Whine” hitmaker, who has become a driving force in Ghana’s music scene over the past decade, used the podium to reflect on his journey and to call for appreciation of artistes who have stayed relevant and committed over the years.
“I will just not for the culture but for the years of work, sacrifice and perseverance that went into it. This should be my 10th Reggae/Dancehall Artiste of the Year. And it’s been like back to back to back to back,” he told.
Stonebwoy emphasised that such achievements should not be taken lightly. He reminded the industry and fans alike that sustained success deserves the same level of admiration as breakout moments.
“I don’t take it for granted at all. I didn’t come here tonight just to celebrate success. I came to remind all that we must have respect for longevity,” he added.
He further stressed that consistency in an artiste’s career should not only be acknowledged when trophies are involved but should be upheld as the standard in the music industry.
“Consistency in the game should not come only after the applause. Trophies and respect should be the standard,” Stonebwoy declared.
Former Minister for Communications and Digitalisation, Ursula Owusu-Ekuful
Former Minister for Communications and Digitalisation, Ursula Owusu-Ekuful, has launched a passionate defense of former President Nana Addo Dankwa Akufo-Addo, criticising elements within the New Patriotic Party (NPP) for blaming him for the party’s electoral challenges.
In a strongly worded statement on her Facebook page, the outspoken former lawmaker expressed dismay at what she described as the vilification of the President by some party supporters, arguing that these same individuals would have credited him had the party emerged victorious.
“Thank you to all of you who are busy vilifying him today and blaming him for our defeat. I am sure you would all have given him the credit if we had won,” she said.
Owusu-Ekuful highlighted Akufo-Addo’s longstanding dedication to the NPP, noting that he held the party together during its eight years in opposition and again in government.
She dismissed claims that the President undermined the campaign of his Vice President and the party’s flagbearer, Dr Mahamudu Bawumia, describing such accusations as illogical and deeply unfair.
She pointed to Akufo-Addo’s personal financial support for the party, stating that for eight years, he consistently funded party operations at all levels—sending monthly allowances to constituencies, regions, national offices, and topping up MPs’ incomes beyond their official salaries.
“If after a lifetime of sacrifice for democracy, the rule of law, and building our political brand, we can look him in the face or call him all manner of names behind his back—he says no problem. He accepts all the blame,” she said, expressing concern over what she views as growing ingratitude within the party.
The Minister also defended the President’s legacy, citing achievements such as maintaining a stable electricity supply, expanding access to education, providing jobs, and undertaking extensive road infrastructure development.
She questioned whether the party still deserved the loyalty of its dedicated members if such contributions could be so easily dismissed.
“If we don’t appreciate the efforts of people like Akufo-Addo, is the NPP worth dying for?” she asked.
The 26th edition of the Telecel Ghana Music Awards (TGMAs) is currently underway at the Grand Arena of the Accra International Conference Centre, and as expected, it has been a night of glitz, and celebration.
The event which has established itself as a key event on Ghana’s entertainment calendar, honours excellence in music across multiple genres and categories.
The 2025 edition has featured thrilling live performances, award presentations, and unforgettable red carpet moments.
From fan-favourites to rising stars, the night has seen several acts walk away with some of the industry’s most coveted awards.
Below is the list of winners so far at the 26th Telecel Ghana Music Awards:
Unsung Artsite – Yaw Darling
Best Hiplife Song of the Year – Bad feeling by Tulenkey
Best Male Vocalist – Joe Mettle
Best Female Vocal Performance – I Choose to Praise by Esther Godwyll
Best Highlife Song of the Year – King Paluta
Best Hip-hop Song of the Year – Holy Ghost by Kweku Smoke
Collaboration of the Year – Lomo Lomo by KiDi featuring Black Sherif
International Collaboration of the Year – Doing of the Lord by Diana Hamilton featuring Mercy Chinwo
Best Afropop Song of the Year – Paris by King Promise
Lifetime Achievement Award – Yaw Sarpong
Best Traditional Gospel Song – Watch Me by Empress Gifty
Best Afrobeat Song of the Year – Asylum by Olivetheboy
Best Music Video – Jejereje by Stonebwoy directed by Banini
Gospel Artiste of the Year – Joe Mettle
Producer of the Year – Kendybeats and King Paluta
Best Afrobeat/Afropop Artiste of the Year – King Promise
Best Urban Contemporary Gospel Song of the Year – Defe Defe by Team Eternity
Dennis Miracles Aboagye, Special Aide to former Vice President Bawumia
Dennis Miracles Aboagye, Special Aide to former Vice-President Dr. Mahamudu Bawumia, has called for a clear separation between legal accountability and political commentary regarding the GH₵49 million controversy involving the National Signals Bureau (NSB).
Speaking on Newsfile on JoyNews, Aboagye cautioned against exploiting the sensitive allegations for political mileage, warning that such actions could erode public trust and derail the pursuit of justice.
“We shouldn’t mix politics with law,” Aboagye insisted. “If there is credible evidence that public funds were misapplied, it must be pursued through formal investigations—not through headline-grabbing accusations.”
The GH₵49 million in question stems from claims made by the former Director General of the NSB, Kwabena Adu-Boahene, who alleged that large sums were disbursed to political actors and presidential aides.
The revelations have triggered a storm of public debate, with growing calls for an independent inquiry.
However, Aboagye maintains that the process must remain free of political interference to preserve its integrity.
“Let us resist the temptation to weaponise these allegations for political gain. Ghanaians deserve clarity and accountability, and that can only be achieved by keeping politics out of the courtroom,” he emphasized.
Minister in charge of Government Communication, Felix Kwakye Ofosu
Minister of Government Communication, Felix Kwakye Ofosu, has dismissed allegations that the ruling New Patriotic Party (NPP) provided financial support to the opposition National Democratic Congress (NDC) to enhance its electoral chances.
Speaking on TV3’s KeyPoints on Saturday, May 10, Mr. Ofosu described the claims as “most improbable” and “illogical.”
“Many of the claims he makes are most improbable. The idea that a party in government would actually finance its opponents to remove it from power beats my imagination—it defies logic,” he said, referring to a memo authored by Kwabena Adu-Boahene, the former Director-General of the National Signals Bureau.
The memo, which has stirred controversy, reportedly suggests that funds were allocated by the NPP to the NDC ahead of a crucial election.
However, according to Mr. Ofosu, such a move would be unthinkable, especially considering the nature of competitive party politics in Ghana.
“I don’t see how the NPP government would approve the significant amounts of money that Adu-Boahene mentions to be given to the NDC to boost our electoral performance in order to defeat the NPP. It is most improbable,” he emphasized.
The memo has yet to be officially verified, but the claims contained in it have already sparked public debate. Mr. Ofosu, however, insists that the allegations lack basic logic and credibility, casting doubt on the motives behind their circulation.
Four executives of the National Democratic Congress (NDC) in the Asawase Constituency have been suspended after appearing in a viral video in which they made disparaging comments about the President, the party’s National Executive Committee, and the nominated Municipal Chief Executive (MCE) for Asokore Mampong.
The individuals — Murtala Muhammed, Farida Mohammed, Aminu Issah, and Salisu Sanusi — are said to have violated the NDC’s code of conduct through their actions, prompting swift disciplinary measures by the constituency’s executive committee.
“Such behavior is a direct violation of the party’s code of conduct and undermines the unity and discipline essential to our success,” the Constituency Secretary stated in an official release.
Signed by the Constituency Secretary, the statement emphasized the need for internal cohesion and respectful engagement as the party works toward its broader political goals.
“We urge all members to remain respectful, united, and focused on the greater objective of advancing the NDC’s vision and mission,” it added.
Ghanaian musician and song writer, Kwame Nsiah-Apau, widely known as Okyeame Kwame has publicly endorsed Hiplife rapper, King Paluta for Artiste of the Year award at the 25 Telecel Ghana Music Awards (TGMAs).
Speaking in an interview with GhanaWeb, the “faithful” hitmaker appreciated King Paluta’s craft and stated that he is rooting for him and he wants to see King Paluta’s performance.
“I just want to see beautiful performances, I want to see the stage design, I want to see great performances from King Paluta, King Promise, Stonebwoy and everyone else who is performing. I want to also at least take home my 2 nominations and give the last one to someone else” he said.
When asked who he is picking for the Artiste of the Year, he responded that “Oseikrom in the house, King Paluta of course”.
Okyeame Kwame’s endorsement for the Hiplife musician comes just hours before the anticipated awards night, which is scheduled to take place on May 10, 2025, at the Grand Arena Conference Centre.
The Telecel Ghana Music Awards is the arguably the biggest music awards scheme in Ghana which celebrates outstanding achievements in the Ghanaian music industry.
Ghana will face hosts Egypt in a high-stakes quarter-final showdown at the TotalEnergies CAF U20 Africa Cup of Nations Egypt 2025 on Monday afternoon in Suez, as both sides aim to keep their title hopes alive.
The Black Satellites topped Group C with a perfect record, defeating DR Congo and the Central African Republic after an opening 1-1 draw.
Compact in defence and clinical in attack, Desmond Ofei’s side are now among the favourites to lift the trophy for a record fourth time.
Their highlight so far was a gritty 1-0 victory over defending champions Senegal, which not only ended the Teranga Cubs’ hopes of back-to-back titles but also underlined Ghana’s resurgence on the continental youth stage.
Jerry Afriyie, Joseph Aidoo and Abdul Sulemana have been key contributors, but it is Ghana’s disciplined midfield structure and high-pressing game that have made the difference. Their ability to manage tight matches and punish mistakes has been central to their rise.
However, standing in their way is an Egypt side that has experienced a rollercoaster campaign but now seems to have rediscovered momentum at the right time.
After a strong start with a 1-0 win over South Africa, the Young Pharaohs suffered a shocking 4-1 defeat to Sierra Leone, before edging Tanzania 1-0 to advance as one of the best third-placed teams.
It’s a far cry from the dominance Egypt would have hoped for as hosts, but the team has shown resilience and will now look to feed off home support in the knockout stages.
Coach Osama Nabih will be banking on midfield architect Ahmed Kabaka, who has created more chances than any other Egyptian in the tournament. In goal, Abdelmonem Tamer has grown in stature, while the return to form of forward Ahmed Sharaf could prove crucial.
History also favours Ghana in this fixture. The West Africans defeated Egypt in the group stage of the 1993 edition and went on to win that tournament. But Egypt will hope that playing on home soil can tip the scales in their favour.
With both teams boasting rich U20 histories, Monday’s clash promises to be a tactical and emotional battle. Ghana are chasing their fourth title, while Egypt are seeking their first since 2003 and aiming to avoid a third consecutive group-stage elimination.
Kick-off is at 15:00 GMT at the Suez Canal Stadium. The winner will take on the victor of Morocco vs Sierra Leone in the semi-finals.
Ghana winger Ransford Yeboah scored a brace as Hamburg SV thrashed SSV Ulm 1846 by 6-1 to secure a return to the German Bundesliga for the first time since 2018 with just a game to end the season.
The visitors drew first blood from Tom Gaal with just seven minutes played at the 57,000-seater Volksparkstadion on Saturday evening.
Hamburg wasted no time in regrouping with Ludovit Reis leveling the score three minutes after the visitors had taken the lead.
The home side continued their relentless attack with two swift goals before the half-time break when Ghana winger Ransford Yeboah and David Selke scored in the 42nd and the 45th minute respectively to lock the game at 3-1 heading into the break.
Hamburg were gifted an own goal from SSV Ulm defender Philipp Strompf on the 49th minute before Ransford Yeboah added the fifth in the 62nd minute.
Germany midfielder Daniel Elfadli sealed the win for Hamburg on the 86th to help them secure promotion to the top-flight competition, Bundesliga after seven years in the Bundesliga 2.
The former Dynamo Dresden midfielder has been scintillating for the Bundesliga 2 giants this term scoring a whooping 14 goals in 32 2.Bundesliga matches this season – the 2nd highest for the club.
Despite his impressive form for Hamburg, the 23-year-old has only managed four matches for the senior national team of Ghana, the Black Stars.
As Ghana prepares for the upcoming four nations tournament, fans will be eagerly watching to see if his name would be among the roster.
The 25th edition of the Telecel Ghana Music Awards (TGMA) is currently underway at the Grand Arena of Accra International Conference Centre (AICC).
So far, the three forerunners for Artiste of the Year, Stonebwoy, King Paluta and King Promise have one award. Stonebwoy won Best Music Video, King Paluta won Best Highlife Song with King Promise taking home the Best Afro Pop Song of the Year.
Here is the list of winners so far:
Unsung Artiste of the Year: Yaw Darling
Best Hiplife Song of the Year: Bad Feelins by Tulenkey
Best Male Vocalist of the Year: Joe Mettle
Best Female Vocal Performance: Esther Godwyll
Best Highlife Song of the Year: King Paluta: Makoma
Best Hiphop Song of the Year: Kweku Smoke (Holy Ghost)
Best Collaboration of the Year: KiDi ft Black Sherif(Lomolomo)
Best International Collaboration of the Year: Diana Hamilton ft Mercy Chinwo (This is the Doing of the Lord)
Best Afropop Song of the Year: King Promise (Paris)
Lifetime Achievement Award: Yaw Sarpong and the Asomafo band.
Best Traditional Song of the Year: Empress Gifty(Watch Me)
Best Afrobeats Song of the Year(Asylum): OliveTheBoy
Best Video of the Year: Stonebwoy:Jerejere(Stonebwoy)
Ghanaian gospel musician Empress Gifty delivered an emotional moment on stage at the 2025 Telecel Ghana Music Awards (TGMAs) as she tearfully dedicated her award to her late mother.
The “Watch Me” hitmaker took home the award for Best Traditional Gospel Song of the Year, beating out strong contenders including MOG Music, Piesie Esther, Diana Hamilton, and Queendalyn. Her heartfelt acceptance speech touched the hearts of many in the audience.
Fighting back tears, the Watch Me hitmaker thanked her fans, collaborators, and most especially her husband for his unwavering support.
“Shoutout to my husband, God bless you. To my fans who supported me, I want to say thank you to Kuami Eugene. Tomorrow is Mother’s Day, and I dedicate this award to my mom. God bless you, Ghana,” she said.
Empress Gifty’s mother was laid to rest in January 2025.
President John Dramani Mahama’s Wednesday address, marking his first 120 days in office, was more than a customary update.
It was a deliberate reaffirmation of a social contract between his administration and the Ghanaian people.
By opting for a 120-day milestone rather than the traditional 100-day landmark, which has come to characterise our governance system, the President subtly signalled his intention to break from political conventions, and rather focus on measurable impact over optics.
Dubbed: the ‘120-day social contract,’ the President’s address emphasised action, accountability and urgency.
Anchoring his performance on 26 promises during his 2024 campaign to once again lead the country, President Mahama outlined a series of initiatives ranging from scrapping burdensome taxes and enforcing a code of conduct for appointees, to launching national dialogues on education and the economy.
Perhaps the most ambitious aspect of his early tenure is plans for a rollout of the 24-hour economy policy. With a secretariat already established and legal amendments in motion, the President’s administration appears serious about transforming Ghana’s economic landscape.
Indeed, this coupled with a GH¢453 million allocation to support over 156,000 tertiary students under the “no fee stress” policy, underscores a government prioritising education for national development.
On anti-corruption, the President’s commitment to investigating high-profile scandals–from the Sputnik-V deal to the Accra Sky Train project–is a necessary, if not long overdue.
Whether these investigations yield justice or not, it will be a crucial test of his promise to hold both past and present appointees to the highest standards.
Environmental stewardship also featured prominently, with efforts to reclaim seven of nine forest reserves degraded by illegal mining.
The President’s five-pronged strategy to sanitise the mining sector reflects a holistic understanding of the socio-environmental issues at stake.
The Ghanaian Times views these as commendable beginnings that, if sustained, can reset the tone for good governance. However, we believe these 120 days are just the beginning. While the administration has laid a promising foundation, delivery and accountability in the months ahead, will be the true measure of his success.
This is why the call by Dr Abu Sakara Foster, a Development Specialist in Agriculture and Rural Economy, on the government to focus on the bigger picture of ensuring access to employment, education, infrastructure and formulating viable policies to bring relief to Ghanaians, should be a challenge for the President to work harder and move to greater height.
In an interview with The Ghanaian Times, the development expert, commended the President for a number of achievements made within his first 120 days in office, but was quick to draw his attention to bread and butter issues.
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Dr Abu Sakara, therefore, advised the President that, “Ghanaians are not only looking for promises kept, but for their lives to be improved, institutions strengthened, and trust in governance restored.”
The President’s declaration in his speech that “My word is my bond”, we believe signifies a strong commitment to fulfil all his promises. Indeed Ghanaian would keenly watch how he would translate his words into action, to improve welfare of the people.
The Ghanaian Times believes that it will take sustained, inclusive, and transparent action by the President to turn his early momentum into positive change and development.
The road ahead is long, but if this pace is maintained, the vision of “the Ghana we want” may indeed be within reach.
Ghanaian Afrobeats artiste King Promise has expressed gratitude to fans and promised to return to the stage to pick up more awards after winning his first award at the ongoing 2025 Telecel Ghana Music Awards (TGMAs), currently being held at the Grand Arena of the Accra International Conference Centre.
The “Terminator” hitmaker was awarded Best Afropop Song of the Year, marking his first win out of ten nominations on the night.
Taking to the stage, King Promise thanked his supporters and acknowledged their vital role in his success.
“Super, super thankful for this award. Shoutout to the whole fans. It’s because of you people we dey here. Big love, big love. I will be back,” he said.
The award is a step in what many believe could be a big night for the Afrobeats musician, who is also in the running for the Artiste of the Year title, arguably the most anticipated category of the night.
He faces stiff competition from Stonebwoy, King Paluta, Kweku Smoke, Team Eternity Ghana, and Joe Mettle.
The 26th edition of the Telecel Ghana Music Awards (TGMAs) is currently underway at the Grand Arena of the Accra International Conference Centre, and as expected, it has been a night of glitz, and celebration.
The event which has established itself as a key event on Ghana’s entertainment calendar, the TGMAs honour excellence in music across multiple genres and categories.
The 2025 edition has featured thrilling live performances, award presentations, and unforgettable red carpet moments.
From fan-favourites to rising stars, the night has seen several acts walk away with some of the industry’s most coveted awards.
Below is the full list of winners at the 26th Telecel Ghana Music Awards:
Unsung Artsite – Yaw Darling
Best Hiplife Song of the Year – Bad feeling by Tulenkey
Best Male Vocalist – Joe Mettle
Best Female Vocal Performance – I Choose to Praise by Esther Godwyll
Best Highlife Song of the Year – King Paluta
Best Hip-hop Song of the Year – Holy Ghost by Kweku Smoke
Collaboration of the Year – Lomo Lomo by KiDi featuring Black Sherif
International Collaboration of the Year – Doing of the Lord by Diana Hamilton featuring Mercy Chinwo
Best Afropop Song of the Year – Paris by King Promise
Jerry Afriyie scored a late goal to help CD Lugo rally from two goals down to secure a 2-2 draw against Gimnàstic in the Primera Federacion on Saturday.
The Black Satellites forward left camp in Egypt to rejoin Lugo following a mutual agreement between the club and the Ghana Football Association.
His return was vital and decisive as he delivered a Man of the Match performance to lead CD Lugo from two goals down to earn a 2-2 draw to boast their chances of survival in the Primera Division.
The 18-year-old was handed a starting role despite arriving barely 48 hours before the match. Gimnastic, who were playing at home, dominated the game initially, opening the scoring in the 28th minute.
Things went from bad to worse for Lugo just before half-time after Joan Oriol doubled the advantage for the hosts.
However, Afriyie inspired his teammates to a comeback, setting up Lizancos with 23 minutes left on the clock.
The Ghana international transitioned from provider to scorer, snatching a late equalizer in injury time for the visitors.
The U20 star has now scored three goals and delivered two assists in eight league games for Lugo.
After 36 games, Lugo now lies in 15th position with 43 points, just one point above the relegation zone. With just two games to end the current campaign, the Ghanaian international’s performance will be a welcome boost as his side aims to avoid the drop zone.
His goals, assist, and skill set will be of great benefit to the Spanish side.
Social media has been criticised about some outifts that made it to the Red Carpet
Featured
Edith Mensah
Showbiz News
2 minutes read
The glamour on the red carpet of the 2025 Telecel Ghana Music Awards (TGMA26) took a sophisticated turn this year, with a noticeable reduction in the number of tacky and unflattering outfits that have previously raised eyebrows.
This year’s edition marked a significant change in red carpet protocol.
Organisers implemented a strict “invitation-only” policy for red carpet appearances, a move that seems to have paid off.
The new directive meant that only specially invited guests were granted access to the spotlight zone, effectively filtering the pool of appearances and raising the overall fashion bar.
Unlike last year’s edition where some celebrities appeared in mismatched outfits and others controversially turned up in overly revealing attire, including bras and panties, this year’s attendees brought their A-game. Elegance, creativity and individuality were on full display.
Notable personalities such as Empress Gifty, King Promise, Fameye, Efe Grace, Okyeame Kwame and Roselyn Felli wowed onlookers with well-curated ensembles that blended glamour with cultural flair. Their outfits did not only reflect personal style but also showed a shared understanding that the TGMA red carpet is a prestigious fashion moment.
TGMA26, which celebrates the best in Ghanaian music, is currently underway at the Grand Arena of the Accra International Conference Centre.
The event is expected to be a night of unforgettable performances, surprising wins, and emotional speeches, with Black Sherif, Stonebwoy, King Promise and Kuami Eugene among the top contenders for the coveted Artiste of the Year title.
![Sammy Gyamfi [L] and Evangelist Mama Pat](https://cdn.ghanaweb.com/imagelib/pics/610/61063756.295.jpg "Sammy Gyamfi [L] and Evangelist Mama Pat")
In a strongly worded social media post, Mahama accused the duo of severely damaging both Ghana’s economy and environment. He criticized the current administration for what he sees as a major disconnect between their public assurances and actual governance, citing neglect in key sectors and a lack of accountability.
