{"id":57860,"date":"2023-04-14T15:42:11","date_gmt":"2023-04-14T15:42:11","guid":{"rendered":"https:\/\/www.ghanamma.com\/2023\/04\/14\/john-wick-close-eo-8-of-the-best-films-of-2023-so-far\/"},"modified":"2023-04-14T15:42:11","modified_gmt":"2023-04-14T15:42:11","slug":"john-wick-close-eo-8-of-the-best-films-of-2023-so-far","status":"publish","type":"post","link":"https:\/\/www.ghanamma.com\/2023\/04\/14\/john-wick-close-eo-8-of-the-best-films-of-2023-so-far\/","title":{"rendered":"John Wick, Close, EO: 8 of the best films of 2023 so far"},"content":{"rendered":"

<\/p>\n

\n

BBC Culture film critics Nicholas Barber and Caryn James pick their highlights of the year so far, including John Wick: Chapter 4, Close, EO and Infinity Pool.<\/p>\n

Saint Omer<\/strong><\/p>\n

\"John
(Credit: Alamy)<\/em><\/figcaption><\/figure>\n

This tough-minded, heart-breaking drama about race, class and motherhood was France\u2019s entry to last year\u2019s Oscar race, and I\u2019m still mystified as to why it wasn\u2019t nominated. Alice Diop puts her experience making documentaries to good use, as she bases her story on the real-life case of a young Senegalese woman in France charged with abandoning her baby on a beach to die. Diop invents Rama, a pregnant novelist who goes to the town of Saint Omer to witness the trial, which plays into her own doubts and fears. As Laurence, the mother on trial, Guslagie Malanda is unnaturally calm, almost frozen in resignation. Kayije Kagame as Rama lets you see her mind racing and her heart pounding as she watches, even though her face is impassive. Diop based her dialogue on court transcripts, but the results go far beyond dry facts on the page to create an enthralling film with two profound and vivid women on screen.<\/p>\n

Close<\/strong><\/p>\n

\"John
(Credit: Kris Dewitte Menuet\/Cannes)<\/em><\/figcaption><\/figure>\n

Lucas Dhont follows his award-winning debut, Girl, with another\u00a0delicate yet emotionally shattering coming-of-age drama\u00a0that is so naturalistic you could mistake it for a fly-on-the-wall documentary. Its heroes are L\u00e9o (Eden Dambrine) and R\u00e9mi (Gustav de Waele), two 13-year-old boys who enjoy an intimate friendship in bucolic Belgium. But when they enrol in a new school, peer pressure stretches their relationship to breaking point. Superhumanly sensitive to the pains of being a teenager, Dhont understands that it doesn\u2019t take overt bullying to make young people feel as if they are under unbearable attack. The boys\u2019 classmates\u2019 casual questions are enough to change them forever.\u00a0<\/p>\n

John Wick: Chapter 4<\/strong><\/p>\n

\"John<\/figure>\n

The latest instalment of the artful action-filled franchise with Keanu Reeves as the assassin we root for has no competition for the year\u2019s\u00a0best mainstream, commercial film so far. With a multi-million-dollar price on his head, Wick channels his inner James Bond, globe-trotting through Paris, Berlin and Osaka, trying to avoid being killed. This entry is bigger and splashier than the previous Wick entries, and director Chad Stahelski makes it every bit as visually stunning and entertaining, with action full of martial arts, guns and swords. Reeves\u2019 likeable persona helps attach us to a character who long ago lost count of the bodies he has sent on their way. Ian McShane is ever a delight as Wick\u2019s urbane colleague, Winston, and the film gives us one more chance to see Lance Reddick, who died recently, as the concierge, Charon.\u00a0<\/p>\n

Holy Spider<\/strong><\/p>\n

\"John<\/figure>\n

Ali Abbasi\u2019s grisly Holy Spider is based on the true story of a married builder (Mehdi Bajestani) who murdered 16 sex workers in Iran\u2019s holy city of Mashhad in 2000 and 2001. Starring Zar Amir Ebrahimi (winner of the best actress award at Cannes) as the determined journalist investigating the crimes, it seems at first to be an atmospheric companion piece to Silence of the Lambs and other big-screen serial-killer dramas. The provocative twist is that some citizens and politicians see the murderer as a local hero on a moral crusade. Behind the generic thrills, Holy Spider is an examination of society-wide misogyny that seems all the more astute in the wake of the Mahsa Amini protests.<\/p>\n

The Worst Ones<\/strong><\/p>\n

\"John<\/figure>\n

Sometimes non-professional actors can seem extremely unnatural on screen, but the opposite is true in this sharp, serious yet light-handed fiction about children and adolescents in a run-down neighbourhood in northern France. The conceit of the meta-drama is that real students are being recruited to play fictional variations of their own stories on screen. That is exactly the process the directors Lise Akoka and Romane Gueret, former casting directors, employed in making The Worst Ones, whose ironic title refers to the bad reputation of the kids who are cast. The two children and two adolescents who star here are captivating, with built-in screen presence, as they deal with and laugh at the callous, middle-aged man directing them. Winner of the top prize in the Un Certain Regard section at Cannes last year, The Worst Ones has an unpretentious ease yet becomes a thoughtful look at the exploitation and voyeurism of filming real lives.<\/p>\n

\u00a0EO<\/strong>\u00a0<\/p>\n

\"John<\/figure>\n

When a Polish circus is shut down, one of its performers, a donkey, is sent to live in an equestrian centre. But he doesn\u2019t stay there for long. Instead, our long-eared hero trots across Europe, through a series of different episodes in different genres, as if he is guest-starring in a variety of other films. What unites\u00a0his picaresque adventures, which were inspired by Robert Bresson\u2019s Au Hasard Balthazar, is their anguish at man\u2019s inhumanity to man (and man\u2019s inhumanity to donkey), and their startlingly psychedelic camerawork, editing and music. Jerzy Skolimowski, the director of EO, might be 84, but he has never been more engaged or energetic. We won\u2019t see another film this year that is so extravagantly bizarre, yet so sweet, loving, and mischievous.<\/p>\n

Return to Seoul\u00a0<\/strong><\/p>\n

\"John<\/figure>\n

Davy Chou\u2019s small-scale film is deceptively ordinary in its premise. Freddie, a Korean woman in her mid-20s who was adopted as an infant and raised in France, travels to Seoul and reluctantly looks for her birth parents. But as it goes on, the story leaps ahead two years, then five, and depicts Freddie\u2019s morphing sense of identity in unexpected, thoroughly convincing turns. Is she French or Korean; is her look that of a grunge student or a glam businesswoman; does she want to find her mother or not? Park Ji-Min is vibrant and keeps us off-guard as Freddie, and Chou offers a fresh and bracing style. He sets the story in ordinary spaces \u2013 narrow streets, offices, restaurants \u2013 with a polished look and intimate feel. The original English title better captures the film\u2019s exciting swirl of identity: All the People I\u2019ll Never Be.<\/p>\n

\u00a0Infinity Pool<\/strong><\/p>\n

\"John<\/figure>\n

The latest entry in the burgeoning \u201crich people have a bad time on an island\u201d sub-genre, Infinity Pool shimmers with reflections of\u00a0Triangle of Sadness, Menu and\u00a0Glass Onion, although it\u2019s murkier and more toxic than any of them. Alexander Skarsg\u00e5rd stars as a struggling author who visits an exclusive beach resort with his wealthy wife. He discovers too late that the country has a policy of immediate execution for certain crimes, and his holiday from hell gets bloodier, and more jaw-droppingly strange, from then on. It\u2019s true that both the character and the film lose their way, but this whirlpool of extreme cinema proves that its co-star, Mia Goth (who is just as impressive in Pearl), is one of the most extraordinary actresses of her generation, and that its writer-director, Brandon Cronenberg, is talented enough in his own right that we should probably stop comparing him to his dad, David Cronenberg.\u00a0<\/p>\n

DISCLAIMER: <\/strong>The Views, Comments, Opinions, Contributions and Statements made by Readers and Contributors on this platform do not necessarily represent the views or policy of Multimedia Group Limited.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

BBC Culture film critics Nicholas Barber and Caryn James pick their highlights of the year so far, including John Wick: Chapter 4, Close, EO and Infinity Pool. Saint Omer (Credit: Alamy) This tough-minded, heart-breaking drama about race, class and motherhood was France\u2019s entry to last year\u2019s Oscar race, and I\u2019m still mystified as to why […]<\/p>\n","protected":false},"author":1,"featured_media":57861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-57860","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment"],"yoast_head":"\nJohn Wick, Close, EO: 8 of the best films of 2023 so far - Ghanamma.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ghanamma.com\/2023\/04\/14\/john-wick-close-eo-8-of-the-best-films-of-2023-so-far\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"John Wick, Close, EO: 8 of the best films of 2023 so far - Ghanamma.com\" \/>\n<meta property=\"og:description\" content=\"BBC Culture film critics Nicholas Barber and Caryn James pick their highlights of the year so far, including John Wick: Chapter 4, Close, EO and Infinity Pool. 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