Death Is No Escape from Accountability

As Ghana mourns the passing of highlife legend Daddy Lumba on July 26, 2025, gospel musician Great Ampong has reignited a simmering feud that dates back nearly a decade. His latest statement—declaring intent to confront Lumba’s family during the funeral rites to retrieve unpaid earnings—has stirred a storm of reactions across music and religious circles.

The conflict traces back to the 2015 release of *Hosanna*, a gospel album launched under the duo name “Kojo Kojo.” Ampong claims he penned eight of the ten songs and was blindsided when Lumba allegedly left the album launch with over GHC 360,000, leaving Ampong empty-handed in front of fans.

He has likened the betrayal to a spiritual wound, invoking the story of Judas and Jesus to express the depth of his hurt. Despite past attempts at reconciliation—efforts led by religious leaders such as Archbishop Adonteng Boateng and Prophet Eric Boahen—no resolution was reached. Even a donation from Givers Herbal Centre aimed at healing the rift failed to bring closure.

While Ampong once publicly declared forgiveness in the name of spiritual growth, Lumba’s death appears to have reopened old wounds. Ampong now vows to seek his share directly from the family, a move some view as necessary justice and others as inappropriate timing.

His stance has sparked broader conversations about fairness and accountability in Ghana’s creative industry, where informal agreements often leave artists vulnerable. With funeral preparations underway and tributes flowing in, many wonder whether Ampong’s vow will lead to legal action or public backlash.

Whether seen as a righteous stand or a misstep during mourning, Ampong’s declaration reminds fans that behind the music lie fragile relationships, unspoken grievances, and the enduring quest for justice.

Source: CINDILAN TV