{"id":275726,"date":"2011-02-15T21:03:01","date_gmt":"2011-02-15T21:03:01","guid":{"rendered":"http:\/\/www.ghanamma.net\/?p=52364"},"modified":"2011-02-15T21:03:01","modified_gmt":"2011-02-15T21:03:01","slug":"why-i-cant-produce-new-films-gabosky","status":"publish","type":"post","link":"https:\/\/www.ghanamma.com\/2011\/02\/15\/why-i-cant-produce-new-films-gabosky\/","title":{"rendered":"Why I can\u2019t produce new films \u2013 Gabosky"},"content":{"rendered":"<figure id=\"attachment_48093\" aria-describedby=\"caption-attachment-48093\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a rel=\"attachment wp-att-48093\" href=\"http:\/\/www.ghanamma.net\/2011\/01\/17\/i-sold-arts-and-craft%e2%80%94-igwe-gabosky\/gabosky\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-48093\" title=\"gabosky\" src=\"http:\/\/www.ghanamma.net\/wp-content\/uploads\/2011\/01\/gabosky.jpg\" alt=\"\" width=\"200\" height=\"513\" \/><\/a><figcaption id=\"caption-attachment-48093\" class=\"wp-caption-text\">Igwe Gabosky<\/figcaption><\/figure>\n<p>BY BENJAMIN NJOKU<br \/>\nIgwe Gab Okoye popularly called Gabosky is one of the pioneer producers  in Nollywood whose experience counts in the industry. Since 1992, when  he delved into the business of film making, Gabosky has not looked back  until few years ago when he decided to take a break from film making.<\/p>\n<p>That does not mean\u00a0 the\u00a0 debonair actor cum producer who produced box  office hits like, Nneka: ,the Pretty Serpent, Battle of Musanga, Beyond  the Vow, Tycoon and others has given up his passion for film making.<\/p>\n<p>In this encounter, Gabosky explains why he cannot produce new films  at the moment, as well as\u00a0\u00a0 his\u00a0 grouses with the industry, the censors  board palaver, and his understanding of the recently released\u00a0 $200m  intervention fund for the entertainment industry amongst other issues  raised.<\/p>\n<p>Excerpt\u2026.<\/p>\n<p>From your assessment, do you think the movie industry fared better last year?<\/p>\n<p>To me, Nollywood failed to measure up last year. We thought that  given what happened between 2008 and 2009, when the industry recorded a  lull moment, that 2010 would have fared better. But that never happened.  The structures that would have inspired\u00a0 growth in the industry were  still not there last year.<\/p>\n<p>In fact, most of us believed that by 2010, the business of film  making would have been formalised with all\u00a0 the required structures  being put in place. Indeed, part of the things that happened in 2008 and  2009, resurfaced\u00a0 in 2010,\u00a0 yet, the structures were not provided by  the government.<\/p>\n<p>Instead of witnessing the production of movies that would bring the  industry to the international stage, we only witnessed a\u00a0 situation  where the industry remained stagnant. If the trend continues this year,  our so called stars would begin to loose their relevance both in the  local and international scene.<\/p>\n<p>Today, most of our stars are venturing into politics, and other areas that has nothing to do with entertainment.<\/p>\n<p>Recall that when the industry was witnessing a dull moment during the  previous years, some of our stars tried their hands in music, while  many others picked up lucrative jobs in the banks and other corporate  entities.<\/p>\n<p>By way of discouraging them from abandoning the profession, we  initiated the move to put\u00a0 the necessary structures in place as well as  lay foundation for the take off of the industry properly. That was when  we started pursuing the release of the\u00a0 intervention fund, with the  World Bank and Commonwealth of nations.<\/p>\n<p>But here, you cannot talk of accessing the intervention fund, already  in the custody of the Bank of Industry , without urging the government  to provide the enabling environment for the entertainment industry to  thrive.<\/p>\n<p>The menace of piracy must be tackled head-long coupled with the need  for the government to begin to enforce our copyright laws if the  intervention fund would make any meaning to the entertainment sector.<\/p>\n<p>That way we would have succeeded in putting one structure in place.  The piracy level in Nigeria is second to none all over the world today.  It is only in Nigeria that you come across 31 to 80 movies in one. The  pirates feast on my sweat and here we have a Copyright Commission that  is not effective.<\/p>\n<p>Are you implying that the intervention fund will not make any  meaningful impact on the entertainment industry in as much as the  needful structures are not in place?<\/p>\n<p>Exactly, if the structures are not there, the fund would not make any  meaningful impact on the industry. In fact, it is not workable as far  as the piracy problem still lingers in this country.\u00a0 Let the government  develop the structures or direct the Bank of Industry to do so. I  advice my colleagues to steer clear of any attempt to access the fund,  until the right structures are put in\u00a0 place to usher in the new dawn in  the industry.<\/p>\n<p>In your assessment, the industry did not fare well last year. Does it  mean you did not recognise the leap that was recorded in the cinema  circuit?<\/p>\n<p>Tell me, how many of our local films were shown in the cinemas last  year, apart from one or two films which were produced outside the shores  of this country. Must I relocate to America or the United Kingdom to  shoot my films before they can be screened either in Deluxe cinema,  Ozone or Silverbird cinema. Where were these emerging producers when we  struggled to establish the industry.<\/p>\n<p>You cannot assemble your friends and foes\u00a0 to shoot a film outside  this country with little or no budget, and still claim that the film is a  block-bluster. How much did they spend to produce these films that are  generating so much heat here and there.<\/p>\n<p>I spent over N 12 million to produce one of my films,\u201dBattle of  Musanga.\u201d Let me ask you, how many of Nigerian films have won awards at\u00a0  international film festivals as Cannes, Berlin and other international  festivals. We need to concentrate on making award winning films and stop  the idea of celebrating low-budget films in our cinemas.<\/p>\n<p>On lack of structures to drive the industry, do you see the need to  blame the censor\u2019s board for its\u00a0 inability to provide the enabling  environment through its overrated distribution framework?<\/p>\n<p>The distribution framework is a complete failure. The board under the  directorship of Emeka Mba did everything possible to succeed with the  framework to no avail. The idea stemmed from the fact that distribution  would drive content; that laying down formal distribution network in  Nigeria would help to formalise the business aspect of film making.<\/p>\n<p>But Emeka Mba did not understand the need to carry along stakeholders  with serious business interests in the industry. I volunteered to  assist him in ensuring that the framework was a success but the board\u2019s\u00a0  director hitherto ignored my professional advise. That was when I  backed out of the project. As far as I\u2019m concerned, the framework did  not achieve it desired goal.<\/p>\n<p>But are you planning to return to the industry again?<\/p>\n<p>I can\u2019t make new films again until the right structures are put in  place. My last movie, \u201cBanned in Nigeria\u201d, is yet to be released. I  deliberately did not want to release several the movie years after I  produced it, because I didn\u2019t\u00a0 want the pirates to feast on my sweat.<\/p>\n<p>I am into producing movies that would be relevant in the society.  After the movie, \u201cBeyond the Vow\u201d, the Catholic community descended on  me, probing why I should produce that kind of movie.\u00a0 My movies are all  about society and humanity. I am also doing the work of God. I don\u2019t  have to be a priest to do the work of God.<\/p>\n<p>I need to be guaranteed of the safety of my intellectual property before I can venture into making movies again.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BY BENJAMIN NJOKU Igwe Gab Okoye popularly called Gabosky is one of the pioneer producers in Nollywood whose experience counts in the industry. Since 1992, when he delved into the business of film making, Gabosky has not looked back until few years ago when he decided to take a break from film making. That does [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-275726","post","type-post","status-publish","format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Why I can\u2019t produce new films \u2013 Gabosky - Ghanamma.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ghanamma.com\/2011\/02\/15\/why-i-cant-produce-new-films-gabosky\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Why I can\u2019t produce new films \u2013 Gabosky - Ghanamma.com\" \/>\n<meta name=\"twitter:description\" content=\"BY BENJAMIN NJOKU Igwe Gab Okoye popularly called Gabosky is one of the pioneer producers in Nollywood whose experience counts in the industry. 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