{"id":273977,"date":"2011-01-14T16:10:14","date_gmt":"2011-01-14T16:10:14","guid":{"rendered":"http:\/\/www.ghanamma.net\/?p=47387"},"modified":"2011-01-14T16:10:14","modified_gmt":"2011-01-14T16:10:14","slug":"lanre-balogun","status":"publish","type":"post","link":"https:\/\/www.ghanamma.com\/2011\/01\/14\/lanre-balogun\/","title":{"rendered":"Lanre Balogun"},"content":{"rendered":"<p><figure id=\"attachment_47388\" aria-describedby=\"caption-attachment-47388\" style=\"width: 288px\" class=\"wp-caption alignleft\"><a rel=\"attachment wp-att-47388\" href=\"http:\/\/www.ghanamma.net\/2011\/01\/14\/lanre-balogun\/lanre-balogun\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-47388\" title=\"Lanre Balogun\" src=\"http:\/\/www.ghanamma.net\/wp-content\/uploads\/2011\/01\/Lanre-Balogun.jpg\" alt=\"\" width=\"288\" height=\"214\" \/><\/a><figcaption id=\"caption-attachment-47388\" class=\"wp-caption-text\">Lanre Balogun<\/figcaption><\/figure><br \/>\nMany   \t\t\t\t\t\t\tpeople will never believe that Lanre Balogun has  \t\t\t\t\t\t\ttrod  the thespian lane for the past 25 years. From  \t\t\t\t\t\t\this days at the  University of Ibadan playhouse to  \t\t\t\t\t\t\tnow, he wields some power in  the movie industry  \t\t\t\t\t\t\thaving\u00a0 featured in several movies. Lanre,  who fell  \t\t\t\t\t\t\tout with his intellectually minded family for towing  \t \t\t\t\t\t\tthe line of theatre even after studying Mathematics  \t\t\t\t\t\t\tand  Statistics at the Yaba College of Technology,  \t\t\t\t\t\t\tLagos tells the  story of how it all started and the  \t\t\t\t\t\t\tlevel he found himself in  the year 2005, almost  \t\t\t\t\t\t\ttwenty five years after. This is an  undiluted story  \t\t\t\t\t\t\tnever told before to any one so enjoy it.<br \/>\n<strong>Over 25 years of acting <\/strong><br \/>\nI  have spent over 25 years as a practitioner and  \t\t\t\t\t\t\tit is not a  child\u2019s play. I started as a thespian  \t\t\t\t\t\t\tartiste. I was a stage  actor. I started in Ibadan,  \t\t\t\t\t\t\tduring the good old days of  University of Ibadan  \t\t\t\t\t\t\tplay group.<br \/>\nI moved on to Koko Close with NTA Ibadan and  \t\t\t\t\t\t\tseveral other  productions before we all migrated to  \t\t\t\t\t\t\tLagos. I am talking about  very early 80s. At that  \t\t\t\t\t\t\ttime, what was done was celluloid by the  few like  \t\t\t\t\t\t\tHubert Ogunde, Ade Love etc, that is\u00a0 proper film  \t\t\t \t\t\t\tmaking in the true sense of the word. What was very  \t\t\t\t\t\t\tpopular  was the proper stage productions and boy, we  \t\t\t\t\t\t\treally were busy.  We were either at the Museum  \t\t\t\t\t\t\tkitchen, PEC Repertory Theatre and  with Chuck Mike.  \t\t\t\t\t\t\tI tell you I was one of the first artistes with   \t\t\t\t\t\t\tChuck Mike when we were together for the Collective  \t\t\t\t\t\t\t Artistes. I was one of the few privileged artistes  \t\t\t\t\t\t\tto start  Festival of Black Drama (FESBAD). We had  \t\t\t\t\t\t\tDede Mabiaku then as an  actor, Richard Mofe Damijo,  \t\t\t\t\t\t\tIrhia Enakhimio, Sola Omoba, Vivian  Anamaba, Kese  \t\t\t\t\t\t\tJabari. The play we did then, won an award. The   \t\t\t\t\t\t\tplay, Ceremonies of Dark Old Man was written by Leon  \t\t\t\t\t\t\t Elders 3 and directed by Segun Ojewuyi. Our director  \t\t\t\t\t\t\tSegun had  to travel abroad. I hear he is now a  \t\t\t\t\t\t\tprofessor in an American  University.<br \/>\n<strong>Background <\/strong><br \/>\nWhat  I am doing now is more like a genetic thing.  \t\t\t\t\t\t\tOutside of the  fact that I went to school, I still  \t\t\t\t\t\t\tdo what I like to do. Funny  enough, I didn\u2019t go to  \t\t\t\t\t\t\tUniversity of Ibadan like most people  think. I went  \t\t\t\t\t\t\tto Yaba College of Technology and studied  \t\t\t\t\t\t\t mathematics and statistics. Do you believe me? That  \t\t\t\t\t\t\tis why I  keep telling you that acting is in me. I  \t\t\t\t\t\t\thave been a science  student through and through.\u00a0 I  \t\t\t\t\t\t\tcome from\u00a0 a home of literary  giants. My dad is the  \t\t\t\t\t\t\tauthor of a school certificate book used  in 1972  \t\t\t\t\t\t\t(Tobias and The Angel). His name is S.I. Balogun. He  \t\t \t\t\t\t\twas the Principal of Kings College Lagos. He just  \t\t\t\t\t\t\tleft  Kings College about four or five years ago and  \t\t\t\t\t\t\thad also  pioneered several Federal Government  \t\t\t\t\t\t\tColleges in Nigeria. My  mother is also a scientist.<br \/>\nMy grandfather was a renowned teacher as well in  \t\t\t\t\t\t\tthe 1800s in  Oyo and other places. With that kind of  \t\t\t\t\t\t\tbackground, you can\u2019t  but be the best in anything  \t\t\t\t\t\t\tyou elect to do. I just wanted to  prove a point to  \t\t\t\t\t\t\tmy father that was why I went into sciences.  When I  \t\t\t\t\t\t\tcompleted, I now moved over to cinematography  \t\t\t\t\t\t\t proper. There was a school in Nigeria, then, Oliver  \t\t\t\t\t\t\tGrant Film  Institute affiliated to the New York  \t\t\t\t\t\t\tInstitute of Technology in  Ibadan. It was there I  \t\t\t\t\t\t\tdid my proper training.\u00a0 I did  cinematography and  \t\t\t\t\t\t\tfilm making. The school was very close to the  Ibadan  \t\t\t\t\t\t\tPolytechnic so the HOD of the school took care of  \t\t\t\t\t \t\tour department. I was very privileged to be taught  \t\t\t\t\t\t\tby John  Fashanu\u2019s father. We called him lawyer  \t\t\t\t\t\t\tFashanu and he tauight me  industrial relations as  \t\t\t\t\t\t\twell.<br \/>\nHe  also taught me law in the school. Dr. Kunle  \t\t\t\t\t\t\tEmdin was my HOD  then. He also happened to be a  \t\t\t\t\t\t\tproduct of the New York Institute  of Technology.<br \/>\n<strong>Challenge <\/strong><br \/>\nI  still recall the challenge of Ceremonies of the  \t\t\t\t\t\t\tdark old man.  It was a great show which I did in  \t\t\t\t\t\t\t1989. You could imagine how  we created Harlem here  \t\t\t\t\t\t\tin Lagos in FESBAD. When we finished\u00a0  rehearsing, we  \t\t\t\t\t\t\twere supposed to show at PEC Repertory Theatre  owned  \t\t\t\t\t\t\tby J.P. Clarke. Richard had a problem with J.P.  \t\t\t\t\t\t\t Clarke and ten minutes to the show, it was  \t\t\t\t\t\t\tcancelled. We were  there to redirect people to the  \t\t\t\t\t\t\tMuseum kitchen. Richard was  playing my father in the  \t\t\t\t\t\t\tplay. He has always had the big bulky  frame even  \t\t\t\t\t\t\tthough I was older than he was.<br \/>\nI  was very frail and skinny those days. Dede  \t\t\t\t\t\t\tMabiaku played my  senior brother. I played Bobby  \t\t\t\t\t\t\tParker. What made my role so  challenging was that I  \t\t\t\t\t\t\tdidn\u2019t have to speak so much. It was  movements,  \t\t\t\t\t\t\tgesticulations and different body expressions. But I   \t\t\t\t\t\t\twas the pitch in the story. And it was a round  \t\t\t\t\t\t\ttheatre  thing. We now used the car park of the  \t\t\t\t\t\t\tMuseum kitchen as the  stage. That was when I  \t\t\t\t\t\t\trespected Duro Oni as a lighting expert.  As you  \t\t\t\t\t\t\tknow, everything happened at the barber\u2019s shop. We  \t\t\t\t\t \t\thad a barber\u2019s throne and everything revolved around  \t\t\t\t\t\t\tit, we  got a fifteen minutes standing ovation from  \t\t\t\t\t\t\tthe American  community in Nigeria.<br \/>\nThey  had never done it in any show in Nigeria  \t\t\t\t\t\t\tbefore. We spent\u00a0  three\u00a0 months rehearsing. We  \t\t\t\t\t\t\tneeded to get it very right as we  were performing  \t\t\t\t\t\t\tfor an audience that was predomeintly American  so we  \t\t\t\t\t\t\tneeded to sound distinct and clear as American.<br \/>\n<strong>Difference in style <\/strong><br \/>\nYou  see I don\u2019t belong to the group of those who  \t\t\t\t\t\t\tcock and shoot,  those\u00a0 who rehearse as the shooting  \t\t\t\t\t\t\tis going on as the case may  be. But I don\u2019t feel  \t\t\t\t\t\t\tworried at all. If you keep lying for long,  one day  \t\t\t\t\t\t\tthe truth will catch up with you.<br \/>\nThe  truth is already catching up with them. When  \t\t\t\t\t\t\tyou produce trash,  who will buy them? You keep  \t\t\t\t\t\t\ttelling us of one witch in the  village or one mama.  \t\t\t\t\t\t\tYou keep telling us tale by moonlight.  Nigerians  \t\t\t\t\t\t\thave all passed that level. We are more than  \t\t\t\t\t\t\t exposed. Every day we see new movies on multichoice,  \t\t\t\t\t\t\tDSTV and  what have you. You can\u00e2\u20ac\u2122t cook up trash  \t\t\t\t\t\t\tand serve us all to  eat. Never.<br \/>\n<strong>Coping<\/strong><br \/>\nWell,  I have been coping because I do other  \t\t\t\t\t\t\tthings, I am not a man  that is just dependent on  \t\t\t\t\t\t\tacting. I consult on media matter. I  can\u2019t imagine  \t\t\t\t\t\t\tmyself sitting in one statistics office checking  the  \t\t\t\t\t\t\tnumber of people that took inoculation in one month.  \t\t\t\t\t\t \tIt\u2019s not my idea at all, I need freedom. But you see  \t\t\t\t\t\t\tno  knowledge is wasted.<br \/>\n<strong>Hostages <\/strong><br \/>\nIt  was my first movie in the true sense of the  \t\t\t\t\t\t\tword. Hostage by  Tade Ogidan I have been a friend of  \t\t\t\t\t\t\tTade\u2019s for over twenty two  years. From the NTA days  \t\t\t\t\t\t\tat Ibadan. We all moved to Lagos  enmasse. I met my  \t\t\t\t\t\t\tfirst producer after that movement, Deinde  Gilberts.  \t\t\t\t\t\t\tHe was into Youths Scene. I presented programmes  \t\t\t\t \t\t\tthen. Auntie Julie Coker was my executive director.  \t\t\t\t\t\t\tOre  Ajakaiye was my producer. Then I made my  \t\t\t\t\t\t\tincursion into acting.  We had done several solid  \t\t\t\t\t\t\tplays of the week on NTA. We did  Abiku, a  \t\t\t\t\t\t\tpresentation for NIFETEP, Nigeria festival of  \t\t\t\t\t\t\t television production in 1986. Abiku was popular and  \t\t\t\t\t\t\twon the  best award of that year. We did the Fallen  \t\t\t\t\t\t\tAngel and a few  others. If we put those production  \t\t\t\t\t\t\tinto tapes as film, it would\u00a0  be\u00a0 mega buster. But  \t\t\t\t\t\t\tit\u00e2\u20ac\u2122s okay, nothing spoil.<br \/>\n<strong>Film industry<\/strong><br \/>\nEverything  had started well. There were some  \t\t\t\t\t\t\tserious minded people who had  the pedigree and the  \t\t\t\t\t\t\texposure. I mean people like Tunde Kelani,  Amaka  \t\t\t\t\t\t\tIgwe, Lola Fani Kayode.\u00a0 But you see, until those  \t\t\t\t\t\t \twho stumbled into the issues came into it, things  \t\t\t\t\t\t\thave never  been the same. Mogbo, moya (I heard and I  \t\t\t\t\t\t\tcame). They were  called for supper and they took  \t\t\t\t\t\t\tover the entire dish. I always  tell them that this  \t\t\t\t\t\t\tbusiness is not for the half baked. It is  not what  \t\t\t\t\t\t\tyou can haphazardly put together. They will find  \t\t\t\t\t \t\ttheir place when you place side by side the very  \t\t\t\t\t\t\tclassy  production.<br \/>\n<strong>Marketers are clannish <\/strong><br \/>\nWhat  I meant is not far fetched. You don\u2019t\u00a0 need  \t\t\t\t\t\t\tan astrologer.  Neither do you need a soothsayer to  \t\t\t\t\t\t\ttell you that the movie  marketers in Nigeria are  \t\t\t\t\t\t\tindeed truely clannish. Look at most of  the films  \t\t\t\t\t\t\tthey produce these days. The so called English films   \t\t\t\t\t\t\tthey produce these days usually have from the lead  \t\t\t\t\t\t\tactor  to the extras, the crew members are Igbo.<br \/>\nYou  begin to wonder if these are the only people  \t\t\t\t\t\t\tthat constitute  Nigeria. Outside of this country,  \t\t\t\t\t\t\tpeople look at Nigeria as  predominantly Igbo people.  \t\t\t\t\t\t\tThe character and culture they  portray is  \t\t\t\t\t\t\tpredominantly Igbo. When you also look at the kind  \t \t\t\t\t\t\tof production that are put together, you see the non  \t\t\t\t\t\t\t inclusion of the tested, trained professional from  \t\t\t\t\t\t\tthe other  tribes who should be there and are totally  \t\t\t\t\t\t\tsidelined. They are  idling away, then you go for  \t\t\t\t\t\t\tpeople who are unqualified and  can\u2019t even give you  \t\t\t\t\t\t\twhat you want professionally. May be because  he is  \t\t\t\t\t\t\tnot an Igbo brother. He is not Nnamdi, Okechukwu or  \t\t\t\t \t\t\tEze. These are some of the reasons why I say they  \t\t\t\t\t\t\tare  clannish.<br \/>\nSomebody  will say they are not the only ones who  \t\t\t\t\t\t\tmake film. I agree.  They are not the only ones that  \t\t\t\t\t\t\tmake films. Where the Yoruba  differ is that if a  \t\t\t\t\t\t\tYoruba man feels you can deliver, he calls  you up no  \t\t\t\t\t\t\tmatter what. Some people who cannot speak more of  \t\t\t \t\t\t\tYoruba are tutored to be part of the productions. I  \t\t\t\t\t\t\tam sure  you must have seen \t\t\t\t\t\t\t<a href=\"http:\/\/nigeriamovies.net\/starprofiles\/clem.php\"> Clem Ohameze<\/a> or \t\t\t\t\t\t\t<a href=\"http:\/\/nigeriamovies.net\/starprofiles\/liz.php\"> Liz Benson<\/a>,  etc. They can\u2019t speak Yoruba but  \t\t\t\t\t\t\tthey are tutored even though  their Yoruba is not  \t\t\t\t\t\t\tperfect. I feel that Yorubas are more  liberal my  \t\t\t\t\t\t\tbrother. What I want to tell the Igbo who are in  \t\t\t \t\t\t\tmovies is to be more liberal and create a level  \t\t\t\t\t\t\tplaying  field.<br \/>\n<strong>Memorable <\/strong><br \/>\nI  recollect how I was able to save very important  \t\t\t\t\t\t\tproduction. It  was the show of Rasheed Gbadamosi,  \t\t\t\t\t\t\tthen secretary for ANA \u2013  Association of Nigeria  \t\t\t\t\t\t\tAuthors. I did the prose on Okigbo, it  was the  \t\t\t\t\t\t\tGreener Grass. Veterans were on board. We had Lola  \t\t\t\t \t\t\tFani Kayode as an actress. She was paired with Sam  \t\t\t\t\t\t\tLoco, Teni  Aofiyebi, Rowland Henshaw professionals  \t\t\t\t\t\t\tin their own right. We  were many. Then somebody was  \t\t\t\t\t\t\tnot ready so I was called in to do  that. I remember  \t\t\t\t\t\t\tI really gave it to them.<br \/>\n<strong>Hard man <\/strong><br \/>\nThey  look at my face and say I am hard. I\u00a0 am  \t\t\t\t\t\t\thard when I need to be  . In Hostages I was mean and  \t\t\t\t\t\t\trude. In Contractors by Raph  Nwadike, I was rude and  \t\t\t\t\t\t\tmean. But I have also played soft roles.  I have  \t\t\t\t\t\t\tplayed pastors severally. In Vindicated, I was  \t\t\t\t\t\t\t Pastor and played along side Onyeka Onwenu. I see  \t\t\t\t\t\t\tthese as the  versatility of an actor. You don\u2019t  \t\t\t\t\t\t\tallow yourself to be  stereotyped. If you call me to  \t\t\t\t\t\t\tdo anything for you, when I get  the script, I get  \t\t\t\t\t\t\tyour characterization. I can be anything you  want me  \t\t\t\t\t\t\tto be.<br \/>\nIt  is not about playing same Ogbuefi everyday .  \t\t\t\t\t\t\tYou could be  challenged to do anything. These people  \t\t\t\t\t\t\tare too lazy on  directing and writing of the  \t\t\t\t\t\t\tscripts. They are laid back and  lazy. For instance I  \t\t\t\t\t\t\tsee someone who has played the role of a  nun, I give  \t\t\t\t\t\t\ther the role of a prostitute. That is the beauty of   \t\t\t\t\t\t\tit all.<br \/>\nThat  is the challenge. If you talk of film now, I  \t\t\t\t\t\t\tloved Hostages  where I was Nasir Mohammed, a rich  \t\t\t\t\t\t\tman\u2019s son. I love Contractor  with Ramsey, Antar  \t\t\t\t\t\t\tLaniyan and myself. I love Dangerous Twins.<br \/>\n<strong>Tade Ogidan <\/strong><br \/>\nWhen  you work with Tade Ogidan it is like, you  \t\t\t\t\t\t\thave to be on your  toes at all times. You couldn\u2019t  \t\t\t\t\t\t\tbut be at your best at all  times.<br \/>\nHe  is cereberal and you must get it right at all  \t\t\t\t\t\t\ttimes. You are  drilled and grilled. It is very  \t\t\t\t\t\t\texhaustive working with him.<br \/>\n<strong>Family pressure <\/strong><br \/>\nMy  father was initially troubled about my chosen  \t\t\t\t\t\t\tcareer. But when  he finally found out that I was  \t\t\t\t\t\t\tcarving a niche for myself, he  couldn\u2019t but relax  \t\t\t\t\t\t\tand we are best of friends now. We couldn\u2019t  see eye  \t\t\t\t\t\t\tto eye before.<br \/>\n<strong>Leisure <\/strong><br \/>\nI  love nature so much. I couldn\u2019t\u00a0 be seen at  \t\t\t\t\t\t\tparties. I love the  beaches. I would readily pack a  \t\t\t\t\t\t\tpicnic basket armed with a  jockey bag. I watch  \t\t\t\t\t\t\tpeople on boat rides or those swimming\u00a0  while under  \t\t\t\t\t\t\ta coconut tree. I get ideas and write.<br \/>\n<strong>Home <\/strong><br \/>\nI  am married to a woman who understands me. She  \t\t\t\t\t\t\tknew I was an  actor when she married me. She is an  \t\t\t\t\t\t\texposed woman. Some things  in acting don\u2019t mean  \t\t\t\t\t\t\tanything to her. It is like asking how the  wife of a  \t\t\t\t\t\t\tgynaecologist feels.<br \/>\nFilmography: Dangerous Twins, Thunderbolt, Hostages, Blood Diamonds, Church In Crisis, Hunted Love, Highway To The Grave, Madam Dearest, No Place To Hide, Playing Games, Scout, Stubborn Grasshopper, Terrorist Attack, The AIDS Patient, The Battle Of Love, True Or False, Sister Sister and many more Yoruba movies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many people will never believe that Lanre Balogun has trod the thespian lane for the past 25 years. From his days at the University of Ibadan playhouse to now, he wields some power in the movie industry having\u00a0 featured in several movies. Lanre, who fell out with his intellectually minded family for towing the line [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-273977","post","type-post","status-publish","format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lanre Balogun - Ghanamma.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ghanamma.com\/2011\/01\/14\/lanre-balogun\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Lanre Balogun - Ghanamma.com\" \/>\n<meta name=\"twitter:description\" content=\"Many people will never believe that Lanre Balogun has trod the thespian lane for the past 25 years. From his days at the University of Ibadan playhouse to now, he wields some power in the movie industry having\u00a0 featured in several movies. 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